Haydn

The miracle of watching a great string quartet perform

28 October 2023 9:00 am

Joseph Haydn, it’s generally agreed, invented the string quartet. And having done so, he re-invented it: again and again. Take…

Convincing performances and unexpected sounds: Opera Holland Park's Delius/Puccini double bill reviewed

30 July 2022 9:00 am

Delius and Puccini: how’s that for an operatic odd couple? Delius, that most faded of British masters, now remembered largely…

Spot-on in almost every way: Scottish Opera's A Midsummer Night’s Dream reviewed

19 March 2022 9:00 am

Scottish Opera’s new production of Britten’s A Midsummer Night’s Dream seems to open in midwinter. Snow falls, fairies hurl snowballs…

Reprehensible – but fun: Orpheus Chamber Orchestra's Complete DG Recordings reviewed

11 December 2021 9:00 am

 Grade: B It must have been an interesting day in the Orpheus Chamber Orchestra’s press office when Blair Tindall’s memoir…

Small but perfectly formed: the Royal College of Music Museum reopening reviewed

30 October 2021 9:00 am

Haydn is looking well — in fact, he’s positively glowing. The dignified pose; the modest, intelligent smile: it’s only when…

Comedy genius: Garsington Opera's Le Comte Ory reviewed

17 July 2021 9:00 am

Melons. An absolutely cracking pair of melons, right there on a platter: the centrepiece of the banquet that the chaste,…

The original Edinburgh Festival

22 August 2020 9:00 am

James Sadler’s 1815 balloon flight, a Fringe first, heralded the greatest musical extravaganza that Scotland had ever seen, says John D. Halliday

The joy of Haydn's string quartets – here are the best recordings

4 April 2020 9:00 am

As Joseph Haydn was getting out of bed on the morning of 10 May 1809, a cannonball landed in his…

Why are Haydn’s operas so lousy? La fedelta premiata reviewed

16 November 2019 9:00 am

There’s a book about musicals that every opera lover should read. Not Since Carrie by Ken Mandelbaum is a history…

Aurora Orchestra’s Brexit concert nearly turned me into a Leaver

6 April 2019 9:00 am

Back when the UK was assumed to be leaving the European Union on 29 March, the Aurora Orchestra was invited…

Reducing the lead to an demented rape victim is just what ballet needs: The Wind reviewed

18 November 2017 9:00 am

A kindly cowboy, an East Coast bride, adultery, murder and madness. The Wind, Dorothy Scarborough’s 1925 Texas gothic novel (and…

Bowled over by Bruckner

9 September 2017 9:00 am

The two Proms concerts given on consecutive evenings by the Royal Concertgebouw Orchestra were well planned: a short opening work,…

Time to end authenticity

12 August 2017 9:00 am

They say the first step towards recovery is admitting that you have a problem. So I’m staging an intervention and…

Hadyn recreated

22 July 2017 9:00 am

‘Rarely, rarely, comest thou, Spirit of Delight!’ wrote Elgar, quoting Shelley, at the top of his Second Symphony. He should…

Our neglect of this great working-class British composer is a disgrace

14 May 2016 9:00 am

One of the greatest choral symphonies of the 20th century, entitled Das Siegeslied (Psalm of Victory), has been heard only…

Magic in the air: Berlin Comic Opera’s exuberant ‘Magic Flute’ at Edinburgh’s Festival Theatre

The Magic Flute has never made more cartoonish sense - an Edinburgh Festival roundup

5 September 2015 9:00 am

London may cry foul over Hamlet’s misplaced to-be-ing and not-to-be-ing but Edinburgh is in raptures over a Magic Flute which…

You realise how little you know of anybody when they die

31 January 2015 9:00 am

Whether or not you believe in the afterlife, death remains an impenetrable mystery. One moment a person is making jokes…