Hitler
Hiding in Moominland: the conflicted life of Tove Jansson
Tove Jansson’s father was a sculptor specialising in war memorials to the heroes of the White Guard of the Finnish…
The Nazi origins of the Vienna Phil’s New Year’s Day concert
Vienna’s New Year’s Day concert is still tarnished by its Nazi origins, says Norman Lebrecht
Egon Schiele at the Courtauld: a one-note samba of spindly limbs, nipples and pudenda
One day, as a student — or so the story goes — Egon Schiele called on Gustav Klimt, a celebrated…
Hugh Trevor-Roper: the spy as historian, the historian as spy
Shortly after the war began in September 1939, the branch of the intelligence services called MI8, or the Radio Security…
Hitler’s Valkyrie: Unity Mitford at 100
Unity Mitford at 100
Churchill was as mad as a badger. We should all be thankful
The egotistical Churchill may have viewed the second world war as pure theatre, but that was exactly what was needed at the time, says Sam Leith
From Göring to Hemingway, via Coco Chanel – the dark glamour of the Paris Ritz at war
In Midnight in Paris, Woody Allen did a good job of showing how foolish it is to be obsessed by…
Charlie Chaplin, monster
No actual birth certificate for Charles Spencer Chaplin has ever been found. The actor himself drew a blank when he…
How Denmark’s Jews escaped the Nazis
Of all the statistics generated by the Holocaust, perhaps some of the most disturbing in the questions they give rise…
Did Hollywood moguls really make a pact with Hitler?
At the recent Austin Film Festival, at every ruminative panel or round-table discussion I attended, I slapped my copy of…
Hitler didn't start indiscriminate bombings — Churchill did
‘I cannot describe to you what a curious note of brutality a bomb has,’ said one woman who lived through…
Noble Endeavours, by Miranda Seymour - review
Like Miranda Seymour, the author of this considerable work on Anglo-German relations, I was raised in a Germanophile home. I…
Henry Goodman interview: How to make Brecht fun
Lloyd Evans talks to Henry Goodman about his role in the playwright’s political allegory