Jonathan Miller
Frederic Raphael settles old scores with a vengeance
The nonagenarian’s critical faculties are as sharp as ever in these imaginary letters addressed to Kingsley Amis, Jonathan Miller, Doris Lessing and many others
![Gaelle Arquez as Carmen in Barrie Kosky's production at the Royal Opera. [Photo: ROH / Bill Cooper]](https://www.spectator.com.au/wp-content/uploads/2018/12/Opera.jpg?w=410&h=275&crop=1)
Kosky’s Carmen is still the smartest show in town – and the most fun
It’s December, and while musical theatre is busy celebrating ‘warm woollen mittens’, opera, as usual, is far more interested in…
Scottish Opera could have a hit on its hands with this new Mikado
You have to be quite silly to take Gilbert and Sullivan seriously. But even sillier not to. G&S is still…
Rigoletto in a gentleman's club
So it’s farewell to the fedoras and adieu to the jukebox. After 32 years of service, Jonathan Miller’s Little Italy…
There and Then: Personal Terms 6, by Frederic Raphael - review
Frederic Raphael is forensic in his description of the failures of successful people. He is enviously superior and he is…
