Kwame Kwei-Armah
Kwame Kwei-Armah’s embarrassing update of Love Thy Neighbour: Beneatha’s Place, at the Young Vic, reviewed
Beneatha’s Place, set in the 1950s, follows a black couple who encounter racial prejudice when they move to a predominately…
Theatre's final taboo: fun
The stage has become a pleasure-free zone in which snarling dramatists fight over their pet political causes, says Lloyd Evans
How Facebook became a freedom-gobbling corporate monster
Southwark Playhouse is beating the latest lockdown with a zingy new musical about social media. The performers, Francesca Forristal and…
A night of angry pipsqueaks: Young Vic's 50th birthday gala reviewed
When Kwame Kwei-Armah took over the Young Vic he strapped a ‘Black Lives Matter’ sign over the front of the…
Redneck twaddle: Young Vic’s Fairview reviewed
Fairview by Jackie Sibblies Drury won last year’s Pulitzer Prize. It deserves additional awards for promoting racial disharmony and entrenching…
Angry, cold, self-centred, opaque, disconnected and brutalising: Bronx Gothic reviewed
Sometimes it’s hard to describe a play without appearing to defame the writer, the performer and the theatre responsible for…
Radio 4 treats its radio listeners as second-best in favour of those who listen to podcasts
How very odd of Radio 4 not only to release The Ratline as a podcast before broadcasting it on the…
Why has the Bridge Theatre opened with this lightweight new play? Young Marx reviewed
Bang! A brand new theatre has opened on the South Bank managed by the two Nicks, Hytner and Starr, who…
