Lauren Cuthbertson
There are passages of considerable eloquence in Royal Ballet’s The Winter’s Tale
There’s no escaping Christopher Wheeldon – a modest, amiable fellow from Yeovil of whom anyone’s mum would be proud. Reaching…
A masterclass of menace and magnificence: Romeo and Juliet reviewed
Two households, both alike in dignity. Capulets in red tights, Montagues in green. Kenneth MacMillan’s Romeo and Juliet opens in…
January as you would wish it: Royal Ballet’s Les Patineurs reviewed
The Royal Ballet’s Les Patineurs is January as you would wish it. No slush, no new-year sales, no streaming chest…
Pretty vacant
Alice is at it again. Christopher Wheeldon’s 2011 three-act ballet began another sell-out run at Covent Garden last week. It’s…
Does Tamara Rojo really think female choreographers are being stifled by sexism?
Tamara Rojo programmed three female choreographers for her English National Ballet spring bill because, she said, she had never danced…
Modern dance vs Shakespeare
In a dance world that has chosen to dispense with stylistic and semantic subtleties, ‘narrative ballet’ and ‘story ballet’ are…
