Lilian Baylis Studio
Chilling: Arthur Pita’s The Little Match Girl at Sadler’s Wells reviewed
Did your feet twitch? That’s the test of The Red Shoes. Did your toes point? Your ankles flex? Your arches…
Predictably meh: Scottish Ballet’s new Swan Lake reviewed
Every ballet company wants a box-office earner. But why Scottish Ballet’s leader Christopher Hampson kept on at David Dawson until…
Morgen und Abend: the kind of opera that gives opera a bad name
The Royal Opera House seemed nervous about Georg Friedrich Haas’s world première Morgen und Abend. They sent out a pdf…
The Associates at Sadler's Wells reviewed: another acutely inventive work from Crystal Pite
The prodigious streetdancer Tommy Franzén pops up everywhere from family-friendly hip-hop shows by ZooNation, Boy Blue and Bounce to serious…
