live music
A perfect welcome back to live music: Sarathy Korwar at Kings Place reviewed
There is a reason music writers tend to stick with music writing rather than transferring their manifold talents to the…
'You can't have opinions any more': Rick Wakeman interviewed
Rod Liddle talks to Rick Wakeman about lockdown, the Sex Pistols, and how you can’t have opinions any more
One of the few genuine British visionaries at work today: Richard Dawson at the Barbican reviewed
How hard must it be to make music that sounds like no one else? And how unrewarding, often, as well?…
The people who were idiots at gigs in early March are still idiots
Is the world ready for the return of live rock music? On the evidence of the first gig in London…
Grimly compelling: The Whitney Houston Hologram Tour reviewed
‘No matter what they take from me,’ sang Whitney Houston towards the end of a peculiar evening in Hammersmith, ‘they…
Dazzling and nonsensical in equal measure: Madonna at the London Palladium reviewed
You might have thought Madonna was not a singer but a professional footballer judging by the talk before she took…
You have to be a terrific snob not to see the appeal of Slipknot
Every development in heavy music is derided by mainstream critics. When Black Sabbath and Led Zeppelin emerged in the late…
Best gig of the week: the fuzzy, slacker melodies of teenage quintet Disq
Come January, when the proper pop stars are all in the gym working off the pounds before they emerge, blinking……
Range and power – and amazingly she sang all her songs: Christina Aguilera at Wembley reviewed
In every respect bar its austere pews, the Union Chapel is one of the best venues in London: beautiful and…
Fascinating and compelling: Bruce Hornsby at Shepherd’s Bush Empire reviewed
In the unlikely event that Bruce Hornsby and Morten Harket, A-ha’s singer, ended up featuring in the Daily Mail for,…
At their best the Psychedelic Furs are fantastic
It’s amazing what the movies can do. In 1986, the John Hughes teen flick Pretty in Pink — the one…
Why I’m done with Fleetwood Mac
There is something inexplicably exciting about pop’s notion of a ‘scene’: young musicians of similar outlooks drawn together by a…
Enveloping and gorgeous: Cate Le Bon reviewed
The last time Bikini Kill played in London was in a room that now serves as the restaurant of a…
Way more fun than the media would have us believe: The Spice Girls tour reviewed
If you’ve paid even passing attention to early reports of the Spice Girls comeback tour, you will be aware of…
Deeply unpleasant and thrilling: Viagra Boys make Primal Scream look antiseptic
May was a cruel month for those middle-aged liberals who treasure their old alternative rock heroes. There was Morrissey, appearing…
A very odd two hours: Sting and Shaggy reviewed
Many is the pop star who has craved gravitas. Only Sting, however, has pursued it by covering John Dowland on…
A Saturday-night variety show: Take That at the O2 reviewed
Being old is big business in live music nowadays, in a way it wasn’t even 25 years ago. When Take…
At her best Robyn is magical – but her contribution to pop is hardly unique
Last autumn, anyone who a) has an interest in pop music, and b) reads the weightier end of the press,…
An undervalued songwriter and decent man: Bryan Adams at Wembley reviewed
On 29 June 1991, a record called ‘(Everything I Do) I Do It For You’ by Bryan Adams entered the…
Why David Byrne deserves every penny he makes from his tour
Let’s get the ‘was-it-good?’ stuff out of the way first. Yes, it was good. It was better than good. It…
No one would want this gig to be the final memory of them: Soft Cell at the O2 reviewed
When Soft Cell first appeared on Top of the Pops in summer 1981, miming along to their version of Gloria…
Paul Simon says farewell with a daring and inventive show that left some restless
Early in 1987, a middle-aged woman approached me on the record counter of the Slough branch of Boots. ‘What do…
An extraordinary, brilliant spectacle: Taylor Swift at Wembley Stadium reviewed
Imagine living Taylor Swift’s life. She has been staggeringly, life-dominatingly famous since she was 17. Not for a single moment…
Embarrassing – but electrifying: Bernstein 100 reviewed
‘There is something enviable about the utter lack of inhibition with which Leonard Bernstein carries on,’ wrote the critic of…
Make mine a double
If two concert pianists are performing a work written for two grand pianos, there are two ways you can position…
