livestreams
Art tackles social distancing and, for once, actually wins: Philharmonia Sessions reviewed
First there were the home recitals: musicians playing solo Bach in front of their bookshelves, wonkily captured on iPhones. Next…
The people who were idiots at gigs in early March are still idiots
Is the world ready for the return of live rock music? On the evidence of the first gig in London…
Not even a genius could make Much Ado About Nothing funny
The RSC’s 2014 version of Much Ado is breathtaking to look at. Sets, lighting and costumes are exquisitely done, even…
Chaotic, if good-natured, muddle: Hytner’s Midsummer Night’s Dream reviewed
Nicholas Hytner’s A Midsummer Night’s Dream opens in a world of puritanical austerity. The cast wear sombre black costumes and…
The Madness of George III is much easier to like than King Lear
The longest interval in theatre history continues. Last week the National Theatre livestreamed a 2018 version of The Madness of…
Like a project the BBC might have considered 30 years ago and turned down: The Understudy reviewed
Hats off to the Lawrence Batley Theatre for producing a brand-new full-length show on-line. Stephen Fry, with avuncular fruitiness, narrates…
The National Theatre’s live-streaming policy is bizarre
The National’s bizarre livestreaming service continues. On 7 May, for one week only, it released a modern-dress version of Antony…
Livestream-hopping is just as irritating as being at a real festival
The ghost of Samuel Beckett oversaw the Hip Hop Loves NY livestream last Thursday night. Time and time again its…
Absorbing and meticulously researched play about Partition: Drawing the Line reviewed
Theatres have taken to the internet like never before. Recorded performances are being made available over the web, many for…
Watching dance online is an advantage, not a concession: BalletBoyz – Deluxe reviewed
Another day in isolation, another bid to find joy in my lone state-sanctioned walk. (Pro tip: stay out longer than…