Lyttelton
Tricycle’s Ben Hur is magnificent in its superficiality - a masterpiece of nothing
It’s the target that makes the satire as well as the satirist. Is the subject powerful, active, relevant and menacing?…
Why is there no one at the National Theatre preventing these duds getting staged?
Wallace Shawn is a lovely old sausage. A stalwart of American theatre, he’s taken cameo roles in classic movies like…
Richard Bean doesn’t believe in humans - just weasels, snakes, rats and vultures
Mr Bean, one of our greatest comic exports, has an alter ego. The second Mr Bean, forename Richard, is the…
The Silver Tassie: a lavish, experimental muddle that slithers into a coma
The Silver Tassie is the major opening at the Lyttelton this spring. Sean O’Casey’s rarely staged play introduces us to…
