Mark Elder
Bristol’s new concert hall is extremely fine
Bristol has a new concert hall, and it’s rather good. The transformation of the old Colston Hall into the Bristol…
In defence of the earworm
That strain again… it’s the morning after the concert and one tune is still there, playing in the head upon…
Unlikely to win converts: Royal Opera's L'Étoile reviewed
It’s widely agreed that the most difficult form of opera to bring off is operetta, whether of the Austro-German or…
Royal Opera’s Idomeneo: get seats but make sure they’re facing away from the stage
Mozart’s first great opera, Idomeneo, is not often performed, and perhaps it’s better that way. It should be seen as…
Keith Warner's Wozzeck doesn't make me as angry as it used to
When Keith Warner’s production of Berg’s Wozzeck was first produced at the Royal Opera, nine years ago, it made me…
Mark Elder and the Hallé surpassed any other account of Parsifal that Michael Tanner has heard
The Proms season of Wagner operas — pity they didn’t do them all; Die Meistersinger would have been specially welcome,…