Michelle Terry
Amazingly sloppy: Romeo & Juliet, at Duke of York’s Theatre, reviewed
Romeo & Juliet is Shakespeare with power cuts. The lighting in Jamie Lloyd’s cheerless production keeps shutting down, perhaps deliberately.…
Captures the rapturous gaiety of the original: Globe's Twelfth Night reviewed
The new Lily Allen vehicle opens in a spruced-up terrace in the East End. Allen plays a self-satisfied yuppie, Jenny,…
Not even a genius could make Much Ado About Nothing funny
The RSC’s 2014 version of Much Ado is breathtaking to look at. Sets, lighting and costumes are exquisitely done, even…
Willy Loman would have been fine if he’d worked in a laundry: Death of a Salesman reviewed
Colour-blind casting is a denial of history. The Young Vic’s all-black version of Death of a Salesman asks us to…
One of the finest productions I’ve seen at the Globe – a triumph of crony casting: Macbeth reviewed
Michelle Terry, chatelaine of the Globe, wants to put an end to penis-led Shakespeare by casting women in roles intended…
No one but Michelle Terry would have hired Michelle Terry to play Hamlet
Regime change at the Globe. The new boss, Michelle Terry, wants a 50/50 ratio of males to females in each…
