Mondrian

Clean lines and dirty habits: the Modernists of 1930s Hampstead

24 April 2020 11:00 pm

With its distinctive hilly site and unusually coherent architecture (significantly, most of it domestic rather than civic), Hampstead has always…

Red panel (1936) by Alexander Caldwell

High wire act

11 November 2017 9:00 am

‘Mid-century modern’ is the useful term popularised by Cara Greenberg’s 1984 book of that title. The United States, the civilisation…

‘Street in Auvers-sur-Oise’ by Vincent van Gogh

Why we love unfinished art

30 April 2016 9:00 am

An unfinished painting can provide a startling glimpse of the artist at work. But the common tendency to prefer it to a finished work is being taken to extremes, says Philip Hensher

Ravilious in Essex: ‘Two Women in the Garden’, watercolour, 1932

The only art is Essex

29 August 2015 9:00 am

When I went to visit Edward Bawden he vigorously denied that there were any modern painters in Essex. That may…

Finding his feet: ‘Untitled (man and two women in a pastoral setting)’, 1940

How Rothko become the mythic superman of mystical abstraction

1 November 2014 9:00 am

Mark Rothko was an abstract artist who didn’t see himself as an abstract artist — or at least not in…