Music
Will Britain’s orchestras survive the Brexit exodus?
Will Britain’s orchestras survive the Brexit exodus?
'We knew there was greatness in these songs': Steve Diggle of the Buzzcocks interviewed
Graeme Thomson talks to Steve Diggle, front man of Buzzcocks, about orgasms, boredom and Pete Shelley
'You can't have opinions any more': Rick Wakeman interviewed
Rod Liddle talks to Rick Wakeman about lockdown, the Sex Pistols, and how you can’t have opinions any more
Why AI will never write a great song
Two years ago, the songwriter Nick Cave told his fans that he’d speak to them directly — not through an…
Mick Fleetwood: Why Peter Green was the greatest guitarist
In a normal week, I would jam with local musicians, but that stopped in March and we musicians miss the…
Jonathan Biss: The sadness and euphoria of playing to an empty room
My November was bookended by two characteristic displays of grace. I ushered it in by falling on all fours while…
Mozart the infant prodigy was also a child of the Enlightenment
‘My dear young man: don’t take it too hard,’ Joseph II counsels a puppyish Mozart, the colour of his hair…
Is any song more lucrative than ‘Happy Birthday’?
Last orders The new tier restrictions have made life difficult for pubs. How many are closed? — According to the…
You won’t be able to look away: Shirley reviewed
This week, two electrifying performances in two excellent films rather than two mediocre performances in the one mediocre film —…
The dazzling, devious, doomed sound of James Booker
Dr John called James Booker ‘the best black, gay, one-eyed junkie piano genius New Orleans has ever produced’. Booker died…
The joy of an illegal rave
Every time I read that Britain’s anti-coronavirus measures are being jeopardised by a ‘small minority of senseless individuals’ holding illegal…
Young people have never paid attention to the BBC
In January, the director-general of the BBC, Lord Hall of Birkenhead, announced that the corporation intended to shift away from…
The problem with livestreaming heavy metal? No moshpits
There was only so long anyone could put up with the live musical performances of the early days of lockdown:…
SOS: Save our singers
‘Musician’ is how I described myself to the nice Latvian lady interviewing me the other week for an ONS survey…
The festivalisation of TV
Televising Glastonbury has changed the festival, and in turn transformed television, says Graeme Thomson
The power of cheap music: pop podcast round-up
Noël Coward was so right that his words have become a cliché: it is indeed extraordinary how potent cheap music…
Privatisation is the best option for the South Bank Centre
I must have written about this subject 100 times in 30 years and I’m still having to restate the bloody…
Dion, one of the last living links to the earliest days of rock ’n’ roll
He toured with Little Richard, sang with Van Morrison, inspired the Beatles and Paul Simon. Graeme Thomson talks to Dion, one of the last living links to the early days of street-corner rock ’n’ roll
One of the more disturbing films I’ve seen: Arena’s The Changin’ Times of Ike White reviewed
Arena: The Changin’ Times of Ike White (Monday) had an extraordinary story to tell — but one that, halfway through…
Joyous and very, very funny: Beastie Boys Story reviewed
The music of the Beastie Boys was entirely an expression of their personalities, a chance to delightedly splurge out on…
You’re not special – just ask Google
My research assistant, John Steele, is also a songwriter. A friend emailed him with the lyrics of a Fleetwood Mac…
Beautiful voice, pretentious album: Fiona Apple’s Fetch the Bolt Cutters reviewed
Grade: C+ Where did they all come from, the quirky yet meaningful rock chicks who don’t have a decent song…
From Middlemarch to Mickey Mouse: a short history of The Spectator’s books and arts pages
The Spectator arts and books pages have spent 10,000 issues identifying the dominant cultural phenomena of the day and being difficult about them, says Richard Bratby
The musical benefits of not playing live
Many performers hated playing live. But freed from the stage they often made their best and wildest work, argues Graeme Thomson
Haunting and beautiful: Revolutionary Army of the Infant Jesus’s Songs of Yearning reviewed
Grade: A It has taken 33 years — during which time this decidedly strange Liverpool collective have put out only…
