Natalia Osipova
A solid evening’s entertainment: Rambert's Peaky Blinders ballet reviewed
Being of a squeamish sensibility and prejudiced by a low opinion of recent BBC drama, I can claim only a…
Gripping – if you skip the non-stop Yentobbing: Dancing Nation reviewed
Thank God for the fast-forward button. Sadler’s Wells had planned a tentative return to live performance last month but the…
A last dose of vitamin D before the clocks go back: Royal Ballet’s triple bill reviewed
Were those gerberas in Francesca Hayward’s bouquet on opening night? Gentlemen admirers take note: no woman, ballerina or otherwise, has…
Sidi Larbi Cherkaoui’s #MeToo Medusa is a bad hair day from Hades
Medusa is the bad hair day from Hades. Sidi Larbi Cherkaoui’s retelling of the Greek myth is frizzy, tangled and…
Why Mayerling is a #MeToo minefield
Kenneth MacMillan’s Mayerling is a #MeToo minefield. Crown Prince Rudolf of Austria-Hungary is a serial seducer, a man of many…
Reducing the lead to an demented rape victim is just what ballet needs: The Wind reviewed
A kindly cowboy, an East Coast bride, adultery, murder and madness. The Wind, Dorothy Scarborough’s 1925 Texas gothic novel (and…
Wheeldon’s new ballet lacks guts: Royal Ballet’s Strapless reviewed
How could it possibly go wrong? The magnetic, seething Russian star Natalia Osipova playing the tragic woman in John Singer…
The best ballerinas in Britain at the moment are hairy and male
There was blood on the walls and floor at the birth of Kenneth MacMillan’s Romeo and Juliet in 1965. The…
You can feel as if you’re in a colony of rabbits: Matthew Bourne’s Car Man reviewed
Hot, languorous, sizzling… I was thinking what an ideal show Matthew Bourne’s noir comedy is to watch on a summer’s…
Rapture - and loathing: Woolf Works at the Royal Ballet reviewed
People have been saying that Wayne McGregor’s new Woolf Works has reinvented the three-act ballet, but not so. William Forsythe…
Royal Ballet’s Don Quixote: Carlos Acosta is too brainy with this no-brain ballet
One feels the pang of impending failure whenever the Royal Ballet ventures like a deluded Don Quixote into a periodic…
Birmingham Royal Ballet and the Royal Ballet battle for the heart of English dance
English ballet erupted out of the second world war in the hands of the rival choreographers Frederick Ashton and Robert…
Ballet’s super couple should stick to the classical repertoire
Last week, the feast of long-awaited dance events on offer echoed bygone days when London life was dominated by the…
Natalia Osipova interview: ‘I'm not interested in diamond tiaras on stage’
Giannandrea Poesio talks to Natalia Osipova about her ballet-based philosophy
