Natalya Romaniw
Vivid, noble and bouyant: AAM’s Messiah reviewed
More than a thousand musicians took part when Handel’s Messiah was performed in Westminster Abbey in May 1791. It wasn’t…
I pounded my car horn like a Neapolitan cabbie: ENO's drive-in Bohème reviewed
The email from English National Opera was blunt: ‘Your arrival time is 18.25. If you arrive outside your allocated time…
It’s not fair – I liked Il segreto di Susanna before it was cool: OHP’s double bill reviewed
Should a secret pleasure ever be shared? Spoiler alert: Susanna’s secret, unknown to her husband Gil, is that she smokes.…