National Theatre
Does disability make a difference to art – or does art transcend disability?
The moment you invite friends to some new ‘cutting-edge’ disability theatre or film, most swallow paroxysms of social anxiety. What…
Family planning
Beginning starts at the end. A Crouch End party has just finished and the sitting room is a waste tip…
Animal or vegetable?
Against by Christopher Shinn sets out to unlock the secrets of America’s spiritual malaise. Two main settings represent the wealthy…
Starting block
Conor McPherson’s new play is set in dust-bowl Minnesota in 1934. We’re in a fly-blown boarding house owned by skint,…
The good Palestinian
Shubbak, meaning ‘window’ in Arabic, is a biennial festival taking place in various venues across London. The brochure reads like…
This year's must-see Shakespeare? Four hours of history in Dutch
James Woodall talks to the Belgian director Ivo van Hove, who has brought a swathe of Shakespeare’s history plays to the stage in Dutch (four hours of it)
Les Blancs at the Olivier is good-ish, but it won't be a classic
Les Blancs had a troubled birth. In 1965 several unfinished drafts of the play were entrusted by its dying author,…
Sarah Kane's Cleansed is a thin, vicious pantomime
Big fuss about Cleansed at the Dorfman. Talk of nauseous punters rushing for the gangways may have perversely delighted the…
Damon Albarn’s wonder.land will not succeed at the National. It might work in Vegas
Damon Albarn and Rufus Norris present a musical version of Alice in Wonderland. A challenging enterprise even if they’d stuck…
Tricycle’s Ben Hur is magnificent in its superficiality - a masterpiece of nothing
It’s the target that makes the satire as well as the satirist. Is the subject powerful, active, relevant and menacing?…
Why is there no one at the National Theatre preventing these duds getting staged?
Wallace Shawn is a lovely old sausage. A stalwart of American theatre, he’s taken cameo roles in classic movies like…
Shakespeare's Wars of the Roses is being staged without a single black actor. So what?
Trevor Nunn is staging Shakespeare’s Wars of the Roses without a single black actor. So what, says Robert Gore-Langton
The choreographer that does things to tango couples that Relate would not recommend
I often regret that I’m writing in the past tense here, but never more than about milonga. It is such…
Are we ready for a play about Jimmy Savile?
Will Gore talks to the playwright who has brought Jimmy Savile’s crimes to the stage
American Buffalo at Wyndham’s reviewed: ‘magnificent, multicoloured, vast and tragic’
David Mamet is Pinter without the Pinteresque indulgences, the absurdities and obscurities, the pauses, the Number 38 bus routes. American…
Why Caryl Churchill is massively overrated - and how the National Theatre befriends terror
Enter Rufus Norris. The new National Theatre boss is perfectly on-message with this debut effort by Caryl Churchill. Her 1976…
Nicholas Hytner’s sod-you farewell: Rules for Living at the Dorfman reviewed
Experts are concerned that Alan Ayckbourn’s plays may soon face extinction. Fewer than 80 of these precious beasts still exist…
Tom Stoppard’s The Hard Problem review: too clever by half
Big event. A new play from Sir Tom. And he tackles one of philosophy’s oldest and crunchiest issues, which varsity…
Without childhood traumas, how did Alan Bennett ever become a writer?
‘So — take heart,’ said Alan Bennett, sending us out from his play, Cocktail Sticks, on a cheery note. The…
National Theatre’s 3 Winters: a hideous Balkans ballyhoo
A masterpiece at the National. A masterpiece of persuasion and bewitchment. Croatian word-athlete Tena Stivicic has miraculously convinced director Howard…
David Hare’s notebook: The National Theatre belongs to taxpayers, not corporate sponsors
The nicest day of the year was spent at Charleston in May. The Sussex farmhouse shared by Duncan Grant and…
The National’s latest attempt to cheer us up: three hours of poverty porn
Bombay is now called Mumbai by everyone bar its residents, whose historic name (from the Portuguese for ‘beautiful cove’) has…
How Londoners can reclaim the River Thames
The current redevelopment of the city’s riverside is a lost opportunity to reclaim the Thames for Londoners, says Ellis Woodman
Let’s face it, Greek tragedy is often earnest, obscure or boring. Not this Medea
Carrie Cracknell’s new version of Medea strikes with overwhelming and rather puzzling force. The royal palace has been done up…
Isn’t it time we asked the National Theatre to support itself?
Isn’t it time we asked the National Theatre to support itself? Lloyd Evans says yes
