Opera North
Bold, self-assured reimagining of Monteverdi: Opera North's Orpheus reviewed
You wouldn’t like Tamerlano when he’s angry. ‘My heart seethes with rage,’ he sings, in Act III of Handel’s opera…
A completely satisfying operatic experience: Opera North’s Parsifal reviewed
When Parsifal finally returns to Montsalvat, it’s Good Friday. He’s trodden the path of suffering but now the sun is…
Old-school excess, star power and spectacle: Royal Opera's Tosca reviewed
London felt like its old self on Friday night. Possibly it was just me; when you visit the capital once…
Clear, complex and gripping: Opera North's Rigoletto reviewed
Say what you like about that Duke of Mantua, but he’s basically an OK sort of bloke. A bit of…
We'll be talking about Royal Opera's Jenufa two decades from now
Leos Janacek cared about words. He’d hang about central Brno, notebook in hand, eavesdropping on conversations and trying to capture…
Opera North’s Rite of Spring shows the advantages of confining the music to the pit
It was Stravinsky himself who suggested that, in order to preserve its difficulty, the opening bassoon solo of The Rite…
One of the greatest operatic experiences of my life: Royal Opera’s Katya Kabanova reviewed
Janacek’s upsetting opera Katya Kabanova, which hasn’t been seen in the UK for some time, turned up in two different…
Only adults struggle with The Magic Flute. Kids get it
Spoiler alert: it’s all a dream. At least, I think that’s what we’re meant to take away from the business…
Thrilling, heartbreaking music drama – you need to see it: ENO’s Porgy and Bess reviewed
Gershwin’s Porgy and Bess springs to life fully formed, and pulls you in before a word has been sung. A…
Opera North’s Tosca will leave you quivering
At the end of Act Two of Tosca there are some 30 bars of orchestral music — accompaniment to a…
An unmitigated triumph: Salome at Opera North reviewed
Salome is my favourite opera by Richard Strauss, the only one where there is no danger, at any point, of…
Yet another dud Un ballo in maschera: Opera North’s new production reviewed
A chaste act of adultery and a silent conversation: these are the encounters at the heart of Un ballo in…
Royal Opera’s Tosca is a sloppy affair
One of the Royal Opera’s greatest virtues is the care it takes with its revivals, even those that are virtually…
Pole position
Did you know that they used to make the Fiat 126 in the Eastern bloc? They did, apparently. There was…
Small wonders
It has been a reasonably good week for peripatetic opera-loving female-underwear fetishists. In La bohème at Covent Garden Musetta slipped…
The conducting is as potent as Furtwängler’s: Opera North’s Ring reviewed
When I interviewed Richard Farnes in Leeds six years ago about Opera North’s project of performing the complete Ring, he…
This new opera had the audience in tears
‘So you’re going to see the gay sex opera?’ exclaimed my friend, open-mouthed. People certainly seem to have had some…
Life-enhancing achievement: ENO's Magic Flute reviewed
Centre stage, there’s an industrial-looking black platform, secured by cables. The Three Ladies snap the unconscious Tamino on a mobile…
Miserable libretto, music to match: Andrea Chénier reviewed
Opera North continues to be the most reliable, inspiring, resourceful and enterprising opera company in the United Kingdom, and all…
A devastating Jenufa - if you could hear it
About 15 minutes into act one of Jenufa, the student in the next seat leaned over to her companions and…
Opera North's Gianni Schicchi and La vida breve reviewed: a flawless double helping of verismo
Is there a more beautiful aria than ‘O mio babbino caro’ from Puccini’s Gianni Schicchi? There are more overwhelming moments…
An artistic crime is committed at the Royal Festival Hall
In one of the more peculiar concerts that I have been to at the Royal Festival Hall, Vladimir Jurowski conducted…
Opera North’s Coronation of Poppea: a premium-rate sex-line of an opera
Virtue, hide thyself! The Coronation of Poppea opens with a warning and closes with a love duet for a concubine…
