Opera
Il turco in Italia, Royal Opera House, reviewed: bring sunglasses
Big slats of orange, burning yellows, an Adriatic in electric blue: I wish I’d bought my sunglasses to the Royal…
ENO's Between Worlds at the Barbican reviewed: too respectful
This week, some 200 years since Goya’s ‘The Disasters of War’, almost 80 years after Picasso’s ‘Guernica’, and over 50…
The audio anoraks bringing the great vintage recordings back to life
Damian Thompson on the audio anoraks rescuing some of the greatest recordings ever made
Why we should revel in the empty virtuosity of Handel's pasticcios
Before the jukebox musical, back when Mamma Mia!, Jersey Boys and Viva Forever! were still dollar-shaped glints in an as-yet-unborn…
Royal Opera's Rise and Fall of the City of Mahagonny review: far too well behaved
Brecht/Weill’s Rise and Fall of the City of Mahagonny was premièred in 1930, Auden/Stravinsky’s The Rake’s Progress in 1951. Twenty-one…
Alice in Wonderland at the Barbican reviewed: too much miaowing
Charles Lutwidge Dodgson loved little girls. He loved to tell them stories, he loved to feed them jam, he loved…
Opera North's Gianni Schicchi and La vida breve reviewed: a flawless double helping of verismo
Is there a more beautiful aria than ‘O mio babbino caro’ from Puccini’s Gianni Schicchi? There are more overwhelming moments…
La Donna del Lago, Metropolitan Opera, review: Colm Toibin on a night of masterful singing
La Donna del Lago, based on a poem by Sir Walter Scott, is one of the nine serious, dramatic operas…
Mastersingers of Nuremberg, ENO, review: ‘a triumph’
ENO’s new production of Wagner’s The Mastersingers of Nuremberg is a triumph about which only the most niggling of reservations…
Why we should say farewell to the ENO
It’s easy to forget what a mess of an art form opera once was. For its first 100 years it…
An artistic crime is committed at the Royal Festival Hall
In one of the more peculiar concerts that I have been to at the Royal Festival Hall, Vladimir Jurowski conducted…
Andrea Chénier, Royal Opera House, review: like a Carry On - but without the jokes
Who on earth could have predicted that a hoary old operatic melodrama set in revolutionary France would find resonance in…
Royal Opera’s Orfeo, Roundhouse: shouts its agenda so loudly the music struggles to be heard
What a week to stage an opera about art’s power to challenge institutional authority, oppression — even death itself. Orfeo’s…
Royal Opera's Un ballo in maschera: limp, careless and scrappy
Whether by chance or bold design, the Royal Opera’s two Christmas shows were written at precisely the same moment, between…
Royal Opera’s Tristan und Isolde: an absurd production - but still a magnificent night
Any adequate performance of Tristan und Isolde, and the first night of the Royal Opera’s production was at least that,…
Does anyone have the balls to bring back castrati?
One of the most complete bars to the authentic performance of both baroque opera and some renaissance polyphony is the…
Penelope Lively’s notebook: Coal holes and pub opera
I have been having my vault done over. Not, as you might think, the family strong room, but the place…
Agents will be queuing up to sign this 26-year-old baritone from Sichuan
The Royal Academy of Music’s end-of-term opera can always be looked forward to because it never disappoints: the repertoire is…
Forget the Germans. It’s the French who made classical music what it is
The poor French. When we think of classical music, we always think of the Germans. It’s understandable. Instinctive. Ingrained. But…
ENO’s Gospel According to the Other Mary: great music weighed down by a worthy staging
Terrorism; East-West diplomacy; nuclear war: John Adams’s operas have poured music into the faultlines of 21st-century global politics, and the…
No one in the Bible has been as elaborately misrepresented as Mary Magdalene
A bogus history book and a new oratorio turn Mary Magdalene into the wife of Jesus and a human rights activist. Damian Thompson feels sorry for the poor woman
Mariinsky’s Boris Godunov - a revelation
Anyone who thinks opera singers and orchestral players are overworked should spare a thought for the Mariinsky Opera on its…
Met Opera Live's Macbeth: Netrebko's singing stirred almost as much as her décolletage
This season of live Met relays got off to a most impressive start, with an electrifying account of Verdi’s tenth…
Wear a veil if you like – but don’t treat women like that
What sort of clothing do you wear when you go to the opera? I assume some of you do go…
Maya Plisetskaya and Rodion Shchedrin: ‘The KGB put a microphone in our marriage bed’
Ismene Brown talks to the Russian super-couple Maya Plisetskaya and Rodion Shchedrin about ballet, opera and the KGB
