Opera
Musically superb but there isn’t a moment where one feels for anyone: Semiramide reviewed
The late arch-Rossinian Philip Gossett regarded Semiramide as a neoclassical work, vaguely and alarmingly suggesting to me a musical equivalent…
Excellent but there’s too much larking about: ENO’s Rodelinda reviewed
ENO has revived Richard Jones’s production of Handel’s Rodelinda. It was warmly greeted on its first outing in 2014, though…
Salon Strauss
An opera without singers, a Strauss orchestra of just 16, and an early music ensemble playing Mahler: welcome to the…
Soap opera
Previously on Giulio Cesare… English Touring Opera’s new season caters cannily to the box-set generation by chopping Handel’s Egyptian power-and-politics…
Pole position
Did you know that they used to make the Fiat 126 in the Eastern bloc? They did, apparently. There was…
Beauty and the beast
I was going to start with a little moan. About the shouty marketing, the digital diarrhoea, the sycophantic drivel, which,…
Prague
Prague. Prague. It helps to say the name at least twice as a countermeasure to the ridiculous ease of modern…
Director’s cut
Much fuss has been made of the title given to Sir Simon Rattle on arrival at the London Symphony Orchestra.…
Small wonders
It has been a reasonably good week for peripatetic opera-loving female-underwear fetishists. In La bohème at Covent Garden Musetta slipped…
Ave, Maria
Anyone who thinks that an artist’s life is irrelevant to their artistic achievement, and for that matter anyone who thinks…
DIY Bohème
The Royal Opera’s one production that, it has always confidently been claimed, need never be replaced has been replaced. John…
Viennese whirl
‘First performance: Vienna, October 3, 1880’ declares the programme for Opera della Luna’s new production of Johann Strauss’s The Queen’s…
Whatever happened to Alice?
In 1987, the art of opera changed decisively. John Adams’s opera Nixon in China was so unlike the usual run…
Grimes triumphant
‘Peter Grimes!’ Ranked high above us in the Usher Hall — a mob smelling blood, hot for the kill —…
Classy and classic
The Edinburgh International Festival began with a double helping of incest. Curiously, Greek — Mark-Anthony Turnage’s East End retelling of…
Strong stuff
The strings sweep upwards, the horns surge, and Leoncavallo’s Zaza throws itself into your arms. We don’t know it yet,…
New kid on the block
The new Grange Park Opera at Horsley is amazing, as everyone who visits it must agree. In less than a…
The conducting is as potent as Furtwängler’s: Opera North’s Ring reviewed
When I interviewed Richard Farnes in Leeds six years ago about Opera North’s project of performing the complete Ring, he…
Not a repertory piece but in its dignity it earns respect: Royal Opera’s Oedipe reviewed
For years I have been telling people that they should listen to, in the absence of staged performances, Enescu’s opera…
This new opera had the audience in tears
‘So you’re going to see the gay sex opera?’ exclaimed my friend, open-mouthed. People certainly seem to have had some…
Verdi’s works are more entertainment than art
Verdi has a peculiar if not unique place in the pantheon of great composers. If you love classical music at…
Our neglect of this great working-class British composer is a disgrace
One of the greatest choral symphonies of the 20th century, entitled Das Siegeslied (Psalm of Victory), has been heard only…
Scottish Opera could have a hit on its hands with this new Mikado
You have to be quite silly to take Gilbert and Sullivan seriously. But even sillier not to. G&S is still…
When opera singers can’t sing
Were Florence Foster Jenkins and her fellow culprits touchingly heroic, cynically fraudulent or just plain bonkers? Rupert Christiansen reports
Royal Opera’s Tannhäuser is one of the ugliest stagings I have set eyes on
Cursed, or perhaps blessed, with almost no visual memory at all, I had almost completely forgotten what the Royal Opera’s…
