Painting
Peak Picasso: how the half-man half-monster reached his creative – and carnal – zenith
By 1930, Pablo Picasso, nearing 50, was as rich as Croesus. He was the occupant of a flat and studio…
Magnificent paintings – oddly curated: All Too Human reviewed
In the mid-1940s, Frank Auerbach remarked, the arbiters of taste had decided what was going to happen in British art:…
The strangely unique vision of Leonard Rosoman
Leonard Rosoman is not a well-known artist these days. Many of us will, however, be subliminally familiar with his mural…
Worth a trip for the David Joneses alone: Journeys with ‘The Waste Land’ reviewed
To bleak, boarded-up Margate — and a salt-and-vinegar wind that leaves my face looking like Andy Warhol’s botched 1958 nose-peel…
A sumptuous feast of an exhibition: Charles I at the Royal Academy reviewed
Peter Paul Rubens thought highly of Charles I’s art collection. ‘When it comes to fine pictures by the hands of…
For Ronnie Wood, every picture tells a story
I am in Paris for the Rolling Stones’ No Filter concert, in Ronnie Wood’s dressing room minutes before he is…
The time has come for one of the most fascinating and idiosyncratic Renaissance artists
Lorenzo Lotto’s portraits — nervous, intense and enigmatic — are among the most memorable to be painted in 16th-century Italy,…
The pure joy of a boring car
My pal Charlie inherited a car and a ride-on mower from an old pal. He kept the mower and the…
A chance to see the Moomins’ creator for the genius she really was: Tove Janssons reviewed
Tove Jansson, according to her niece’s husband, was a squirt in size and could rarely be persuaded to eat, preferring…
The most impressive array of work to be seen in London in years: Cézanne’s Portraits reviewed
The critic and painter Adrian Stokes once remarked on how fortunate Cézanne had been to be bald, ‘considering the wonderful…
The advantages of turning down the colour knob: Monochrome reviewed
Leonardo da Vinci thought sculpting a messy business. The sculptor, he pointed out, has to bang away with a hammer,…
London calling
Madame Monet was bored. Wouldn’t you have been? Exiled to London in the bad, cold winter of 1870–71. In rented…
Emotional rescue
In the 1880s the young Max Klinger made a series of etchings detailing the surreal adventures of a woman’s glove…
Raw materials
‘Art by its very essence is of the new… There is only one healthy diet for artistic creation: permanent revolution.’…
Cabbages and kings
The first pastry cook Chaïm Soutine painted came out like a collapsed soufflé. The sitter for ‘The Pastry Cook’ (c.1919)…
I spy
Where was Degas standing as he sketched his ‘Laundresses’ (c.1882–4)? Did he watch the two women from behind sheets hanging…
Fickle fortune
Here’s an intriguing thought experiment: could Damien Hirst disappear? By that I mean not the 52-year-old artist himself — that…
Mothers’ ruin
At the heart of Basic Instincts, the new exhibition at the Foundling Museum in London, is an extraordinarily powerful painting…
Snap, crackle and op
Stand in front of ‘Fall’, a painting by Bridget Riley from 1963, and the world begins to quiver and dissolve.…
What lies beneath
Last year, Gary Hume made a painting of himself paddling. At a casual glance, or even a longer look, it…
Nothing is quite what it seems
One day, somebody will stage an exhibition of artists taught at the Slade by the formidable Henry Tonks, who considered…
Object lesson
Why did Henri Matisse not play chess? It’s a question, perhaps, that few have ever pondered. Yet the great artist…
Maximum wattage
On his deathbed in 1904, George Frederic Watts saw a extraordinary spectacle. He witnessed the universe coming into being: the…
Diary
It has been an unqualified delight, even if it is mildly absurd: I have been chairing the judges for this…
A tale of two artists
Wherever one looked in the arts scene of the 1940s and ’50s, one was likely to encounter the tragicomic figure…
