Patricia Highsmith
Mediterranean Gothic: The Sleepwalkers, by Scarlett Thomas, reviewed
Thomas tells her tale of a hellish honeymoon on a Greek island with the cunning of an Aegean sorceress, keeping her readers pleasurably unsettled and alert
Grey, gloomy, and utterly joyless: Ripley reviewed
If you’ve spent any time gawping at Netflix over the past half-decade or so, you’ll already know that human culture…
Adventures in Greeneland
In skilfully told stories involving luck and changes of fortune, Osborne suggests that it’s not the hand you’re dealt that matters, but how you play it
Refreshingly unfettered: LRB Podcast's Close Readings on Patricia Highsmith
I’d forgotten what a rich and deep and characterful voice John le Carré had. Listening to author and lawyer Philippe…
Let’s swap murders: Amanda Craig’s The Golden Rule reviewed
It has been three years since Amanda Craig’s previous novel, The Lie of the Land, the story of a foundering…
A choice of classic crime fiction
A guide to reading in lockdown. My involvement with crime and mystery fiction started when I was four. The first…
Intelligent, unfussy, literate – the West End needs more plays like this: Switzerland reviewed
I know nothing about Patricia Highsmith. The acclaimed American author wrote the kind of Sunday-night crime thrillers that put me…
Crime pursues the crime writer
Patricia Highsmith was an accretion of oddities — a woman who doted on her pet snails and carried a selection…
