Photography
How the pixel became a key feature of drone warfare
I hadn’t really thought much about pixels before, despite spending a large portion of my day looking at them. After…
Don McCullin interview: ‘I take more than I bring. That’s not a role I’m proud of’
Jenny McCartney talks to the celebrated photojournalist about war, guilt and Aylan
By, with, of and for Kim Kardashian — keeping up with Kulture
The almond eyes that rise towards their outer edges. The cheekbones that curve down to the corners of those upholstered…
Stolen kisses and naked girls: there is much to wonder about in Lewis Carroll’s Wonderland
A.S. Byatt explores the dark alternatives to innocence in Lewis Carroll’s deeply disturbing looking-glass world
Sculpture Victorious at Tate Britain reviewed: entertainingly barmy
In the centre of the new exhibition Sculpture Victorious at Tate Britain there is a huge white elephant. The beast…
The amazing story of the blind photographer
Perhaps the news that Radio 5 live will be the only BBC station (under the new broadcasting rights agreements) to…
In the steppes of the ancients: travels on the Silk Road
It is difficult to fault this remarkable volume. The publishers have created a book of quality with stunning illustrations and…
The images from the Apollo missions will reduce you to tears
Mark Mason on the images that make grown men cry
Dear Mary: Help me hunt down my priceless missing book
Q. A scholarly book of great importance to me appears to have gone missing from my library. It was heavily…
A photographer sheds new light on Constable Country
Andrew Lambirth talks to Justin Partyka, whose photographs show Constable Country in an unexpected light
Mass destruction in an age of mass media
Catalyst: Contemporary Art and War at the Imperial War Museum North (until 23 February) is alone worth a trip to…
How much can you tell about E.E. Cummings from this photo?
Do you think you can tell things about writers from the way they look in a painting or photograph? A…