Pina bausch
A spectacular failure: Royal Ballet’s MaddAddam reviewed
Adapting ballets out of plot-heavy novels set in fantasy locations and populated with multiple characters is a rubbish idea. The…
Swings between violence and comedy: Pina Bausch's Kontakthof, at Sadler's Wells, reviewed
When you take in the richness of a Pina Bausch production — the redolent staging, the eloquent, eccentric twists of…
Vigour and verve from a unique new Rite of Spring: Dancing at Dusk reviewed
Dancing at Dusk captures the final rehearsal of a new version of Pina Bausch’s The Rite of Spring. It’s only…
Electrifying: English National Ballet’s She Persisted reviewed
‘Where was the Kahlo brow?’ asked my guest in the first interval of English National Ballet’s She Persisted, a triple…
