Pop
We’re wrong to mock Do They Know It’s Christmas?
‘I hope we passed the audition,’ said an alarmingly youthful Bob Geldof at one point in The Making of Do…
Kneecap are basic but thrilling
It was Irish week in London, with one group from the north and one from the south. Guinness was sold…
Perfectly imperfect: Evan Dando, at Islington Assembly Hall, reviewed
‘Can I have a photo with you, please?’ It’s the most embarrassing question you can ask of someone you’re interviewing.…
Goodbye to MC5, the holiest of rock’s holy cows
Grade: D+ Ah, the original Linkin Park, except even more spavined. MC5 came outta Detroit in the mid 1960s and…
Terrifically good value: Nick Cave & the Bad Seeds reviewed
A few years ago, I received an early morning phone call from Nick Cave’s former PR, berating me for not…
Nick Cave’s right-hand man Warren Ellis on AI, Gorecki and staying young
In the next few days Nick Cave and the Bad Seeds play Leeds, Glasgow, Manchester and London. There are still…
Chrissie Hynde remains outstanding: the Pretenders, at Usher Hall, reviewed
A few hours before the doors opened for the Pretenders’ Edinburgh concert, Chrissie Hynde posted a message on her social…
I agree with pop’s war on iPhones – but King Canute might want a word
Before each show on the recent The The tour – reviewed in these pages last week – the pre-recorded voice…
At Las Vegas’s Sphere I saw the future of live arts
Does Elon Musk have a good eye for the aesthetic? Earlier this month, the Tesla magnate took a break from…
The world is on fire – yet navel-gazing still reigns in pop
There is no better cultural weather vane than pop. It’s not that pop singers possess incredible analytical skills – they…
How some of the most derided bands of all time are making a comeback
The fate of the pop musician – at least the pop musician below the top tier of stardom – has…
The ethics of posthumous pop albums
‘At the record company meeting/ On their hands – at last! – a dead star!’ Back when Morrissey was more…
The rise of soapy, dead-safe drama: The Band Back Together reviewed
The Band Back Together is a newish play, written and directed by Barney Norris, which succeeds wildly on its own…
Elvis Costello remains the most fascinating songwriter Britain has produced in the past 50 years
Song for song, line by line, blow for blow, Elvis Costello remains the most consistently fascinating songwriter Britain has produced…
The unstoppable rise of stage amplification
Recent acquisition of some insanely expensive hearing aids aimed at helping me out in cacophonous restaurants has set me thinking…
The Ava Gardner of the ketamine age: Lana Del Rey, at Leeds Festival, reviewed
As the American superstar starts singing another slow, sad, rather beautiful song, my mind begins to drift. I’m thinking that…
Triumphant: Big Thief, at Green Man, reviewed
One of the first things I learned after seeing Big Thief triumph at Green Man is that some long-time fans…
Fun, frenetic and only a little gauche: Declan McKenna, at the Edinburgh Playhouse, reviewed
Towards the end of Declan McKenna’s snappy, enjoyable 90-minute set at the Edinburgh International Festival, something quite powerful occurs. The…
Fantastic – and genuinely indie: Personal Trainer, at the Shacklewell Arms, reviewed
Remember when we all knew what indie meant? Indie was what John Peel played. It was music that was recorded,…
Jack White’s new album will be of close interest to Led Zeppelin’s legal team
The ploy of releasing an album without any advance warning comes into play when an artist feels they are being…
Charismatic, powerful and raw: Patti Smith, at Somerset House, reviewed
There are certain long-established rules for describing Patti Smith. Google her name and the words ‘shaman’ and ‘priestess’ and you’ll…
Hard to love – but Shirley Manson is terrific: Garbage, at Usher Hall, reviewed
There’s nothing quite like the drama of a prodigal’s return. ‘I’ve been singing in this venue since I was ten…
Camila Cabello’s new album presents an existential threat to songwriting
It is always interesting to observe the ways in which pop stars try to negotiate first growing up, and then…
Complain all you like but Glastonbury has delivered the goods again
There’s yet to be a Glastonbury line-up that hasn’t provoked a chorus of naysaying. Refrains like ‘looks rubbish. I wouldn’t…
‘Left me stunningly bored’: Brat, by Charli XCX, reviewed
Grade: C I don’t doubt the ingenuity. The mastery of a technology which now exists as a substitute for melody,…
