Pop Art
The rare gifts of Peter Doig
‘My basic intention,’ the late Patrick Caulfield once told me, ‘is to create some attractive place to be, maybe even…
Virtuosic exploration of paint: Frank Bowling at Tate Britain reviewed
‘The possibilities of paint,’ Frank Bowling has observed, ‘are endless.’ The superb career retrospective of his work at Tate Britain…
Alexander Calder was a volcano of invention
In the Moderna Museet in Stockholm there is a sculpture by Katharina Fritsch, which references Chekhov’s famous story ‘Lady with…
What happened to the First Lady of Pop Art?
In 1961 the Venezuelan-American sculptor Marisol Escobar made a startling appearance at the New York artists’ group known as the…
Warhol the traditionalist: the Ashmolean Museum show reviewed
When asked the question ‘What is art?’, Andy Warhol gave a characteristically flip answer (‘Isn’t that a guy’s name?’). On…
How pop is Peter Blake?
Painters and sculptors are highly averse to being labelled. So much so that it seems fairly certain that, if asked,…
The World Goes Pop at Tate Modern - our critic goes zzzzz
The conventional history of modern art was written on the busy Paris-New York axis, as if nowhere else existed. For…
What I learned from reshooting the dullest film ever made
Stephen Smith finally sees the point of Empire, one of the dullest films in cinema history
Welcome to Japan’s best kept cultural secret: an art island with an underground museum
In his introductory remarks to the Afro–Eurasian Eclipse, one of his later suites for jazz orchestra, Duke Ellington remarked —…
Does Allen Jones deserve a retrospective at the Royal Academy?
It has been a vintage season for mannequins. At the Fitzwilliam Museum in Cambridge, an exhibition called Silent Partners looks…
The pop artist whose transgressions went too far – for the PC art world
After years of being effectively banned from exhibiting in his own country, Allen Jones finally reaches the RA with his first major UK retrospective. Andrew Lambirth meets him
Jeff Koons’s latest achievement: a new standard in prolix, complacent, solipsistic, muddled drivel
Jeff Koons is, by measures understood in Wall Street, the most successful living artist. But he’s a slick brand manager…
Where's the fun, Barbican?
Pop Art Design, curated by the Vitra Design Museum and currently at the Barbican, opens with Richard Hamilton’s 1956 ‘Just…
