Pop
The best new album I’ve heard this year: Being Dead’s When Horses Would Run reviewed
Grade: A– The point of a sudden, abrupt change in the time signature and instrumentation of a song is to…
‘People thought I was insane’: Graham Nash on the birth of Crosby, Stills and Nash
Adam Sweeting talks to Graham Nash about Joni Mitchell, the Hollies and the birth of Crosby, Stills and Nash in the Laurel Canyon idyll of the 1960s
It was midnight in a field in Wales and I was lying face down in six inches of mud: Green Man Festival reviewed
I love Green Man. The smallish festival is the second most beautiful site I’ve ever visited (after G Fest, which…
Uneasy listening: Kathryn Joseph, at Summerhall, reviewed
I have always been fascinated by artists who bounce between tonal extremes when performing, particularly the ones who serve their…
Is it all an elaborate practical joke? Mac DeMarco, at Hackney Empire, reviewed
It’s not just who our pop heroes are that marks the passing of the generations; it’s how those heroes present…
A giddy delight: Regina Spektor, at the Royal Festival Hall reviewed
We’ll get on to the brilliance of Regina Spektor in a moment. But first a question: why are pop music…
Intoxicating: Bruce Springsteen, at BST Hyde Park, reviewed
Seven years ago, I asked Bruce Springsteen what he meant when he talked of the covenant between himself and his…
Why aren’t Spoon filling stadiums?
Here’s a mystery for you. Why were Spoon, one of the most dynamic, sharpest rock bands in the world, playing…
Time to take your meds, Kanye
No one does agonising quite like Mobeen Azhar. In several BBC documentaries now, he’s set his face to pensive, gone…
Brilliantly unhinged: Grace Jones, at Hampton Court Palace, reviewed
Some artists need flash bombs to make an impression on stage. Some need giant screens. Some need to run around…
Let’s hear it for the lesser-spotted nepo daddy
Rob Grant releases his debut album, Lost at Sea, this week. A 69-year-old millionaire and former ad man, furniture exec…
Dazzling – if you ignore the music: Beyoncé, at Murrayfield Stadium, reviewed
Scheduling open-air concerts in mid-May in northern Europe is a triumph of hope over experience. I last spent time with…
In praise of goths – the most enduring of pop subcultures
Michael Hann on the most enduring of pop subcultures
The new Pogues: The Mary Wallopers, at O2 Forum Kentish Town, reviewed
I was listening the other week to a solo album by an ageing rock guitarist, once terrifically famous. It was…
‘Netflix are incredibly conservative’: documentary-maker Nick Broomfield interviewed
Adam Sweeting talks to the documentary-maker Nick Broomfield about the forgotten Rolling Stone
Heartfelt but bland: Ed Sheeran’s – (Subtract) reviewed
Whether by accident or design, the mathematical theme of Ed Sheeran’s previous album titles (+, ×, ÷ and = respectively)…
Tenderness and menace: Bob Dylan, at the London Palladium, reviewed
Bob Dylan has always toyed with audiences. He plays what he wants, how he wants, letting his mood dictate tempo…
Compellingly personal arena experience: Bon Iver, at Ovo Hydro, reviewed
A reliable metric for measuring pop success is hard to find these days, as Michael Hann noted in these pages…
We should take Robbie Williams more seriously
Oh, nostalgia – so much better than it used to be! You’d never have guessed pop music was once the…
The death of the pop star
The definition of ‘pop star’ in the Collins English Dictionary is unambiguous: ‘A famous singer or musician who performs pop…
Incredibly his new songs were the best songs: Lyndsey Buckingham, at the London Palladium, reviewed
Lindsey Buckingham, at 72, still has cheekbones that cast shadows. He has the upright shock of hair, too, though now…
Simple songs; voice like the grand canyon: George Ezra, at OVO Hydra, reviewed
It would be easy to be a little dismissive of George Ezra. A wholesome late twentysomething hailing from the rock…