Radio 4
Hearing Percy Bysshe Shelley read aloud was a revelation
Last week I heard the actor Julian Sands give a virtuoso performance of work by Percy Bysshe Shelley to mark…
Enjoyably plummy and male: Battleground – The Falklands War podcast reviewed
The Battlegroundpodcast on the wars of the 20th century, said presenter Saul David happily, ‘will have lots of bombs and…
If you like First Dates, you'll love This is Dating
The tagline of This is Dating, a new podcast from across the pond, is ‘Come for the cringe, stay for…
Disappointingly conventional and linear: BBC radio's modernism season reviewed
This week marks the beginning of modernism season on BBC Radio 3 and 4, which means it’s time for some…
Radio 4's Moominland Midwinter restores Moomintroll's innocence
Moomins do not like winter. In one of Tove Jansson’s stories, Moomin’s Winter Follies, young Moomintroll bumps his head when…
Contains moments of spellbinding banality: Radio 4's The Poet Laureate has Gone to his Shed reviewed
The interview podcast is a genre immoderately drawn to gimmicks, as the logical space of possible formats is gradually exhausted.…
Why do I find sketch shows – even the better ones – so embarrassing and charmless?
On sketch shows, the wisdom once was that you needed a punchline. That is, a slightly hammy, summative sign-off to…
Floods you with fascinating facts: Trees A Crowd reviewed
Listening to Trees A Crowd, a podcast exploring the ‘56(ish) native trees of the British Isles’, solved one of childhood’s…
Why the mangling of language matters
I thought that this week I would share with you a bunch of words and phrases which are currently overused…
Refreshingly unfettered: LRB Podcast's Close Readings on Patricia Highsmith
I’d forgotten what a rich and deep and characterful voice John le Carré had. Listening to author and lawyer Philippe…
Why In Our Time remains the best thing on radio
In Our Time is the best thing on Radio 4, possibly the best thing on the radio full stop. It…
Enjoyably tasteless: Power – The Maxwells reviewed
This year marks three decades since Robert Maxwell fell naked to his death from the deck of his yacht, The…
Enjoyably bad-tempered: The Lock In with Jeremy Paxman reviewed
‘I used to be Mr Nasty! That was good! Mr Nasty was easy!’ Jeremy Paxman bellows at Michael Palin on…
A beautiful radio adaptation: Radio 4’s The Housing Lark reviewed
Nineteen fifty-six: the Suez crisis, the first Tesco, Jim Laker takes 19 wickets in a match. But also: Trinidadian pianist…
Hats (and knickers) off to the hosts: The Naked Podcast reviewed
I spent half an hour this week listening to a woman make a plaster cast of her vulva. Kat Harbourne,…
My pronouncement on the BBC
Radio 4 recently ran an adaptation of Albert Camus’s The Plague in which the protagonist, Dr Bernard Rieux, was transformed…
Why is Robert Burton’s masterpiece Anatomy of Melancholy being sold as self-help?
The BBC has been having a good pandemic. Stuck at home, a generation raised on podcasts and YouTube has discovered…
Adapting Wodehouse for the radio is a challenge – but the BBC has succeeded brilliantly
Everyone knows a Lord Emsworth. Mine lives south of the river and wears caterpillars in his hair and wine on…
I've lost patience with podcasts and their presenters
‘To be recognised and accepted by a peregrine,’ wrote J.A. Baker in 1967, ‘you must wear the same clothes, travel…
‘Smile, segue and shut up’
Three weeks before Classic FM launched, I was on the radio in Hong Kong, introducing hits by Rick Astley and…
Universal appeal
Yet another sign that we are living in very strange times: a pair of celebrities, their names made by TV,…
Separation anxiety
As Europe remembers Passchendaele, India and Pakistan recall Partition, just 70 years ago, when Britain so hastily abandoned its Indian…
What stopped Stoppard?
Two programmes this week presented two radically different world views, or rather ways of life. Aditya Chakrabortty’s series for Radio…