Rameau
Shiny, raunchy, heartless spectacular: Platée, at Garsington, reviewed
Fast times on Mount Olympus. Jupiter has been shagging around again and now his wife Juno has bailed on their…
No one understood the ennui of lockdown better than Louis XIV and his courtiers
A few years ago I interviewed an eminent baroque conductor. Prickly and professorial, tired after a day of rehearsals, he…
Meet the unrivalled Sun King of early music, William Christie
It’s morning in the garden of William Christie, and he’s talking about home improvements. ‘I planted three pines up there…
Soap opera
Previously on Giulio Cesare… English Touring Opera’s new season caters cannily to the box-set generation by chopping Handel’s Egyptian power-and-politics…
Has there ever been a better time to be a lover of Baroque opera?
Time was when early music was a 6 p.m. concert, Baroque began with Bach and ended with Corelli’s Christmas Concerto,…
Sacred Monsters, Sadler’s Wells: Sylvie Guillem and Akram Kham’s captivating final boogie
I’m dashing between dance theatres at the moment and there’s just so much to tell you about. I could linger…
Michael Tanner’s Glyndebourne experience is ruined by the traffic
What could be more delightful than going to Gyndebourne with someone who has never been before, arriving in time for…
