Royal ballet

Swaggerific display of pumping chests and crotch-grabbing struts: NYDC's Speak Volumes reviewed

31 July 2021 9:00 am

Last week I attended a dance performance in person for the first time since March last year. If you’d asked…

At last some genuine gala material: Royal Ballet's Balanchine and Robbins reviewed

12 June 2021 9:00 am

The OED defines ‘gala’ as ‘a festive occasion’. In the ballet world this usually translates as a handful of stars,…

I miss the faint hiss of a spinning foot: Royal Ballet – Live reviewed

14 November 2020 9:00 am

Ballet lovers driven square-eyed by a drip feed of livestreaming and archive footage have been pining for the patter of…

The Royal Ballet's return was joyous – but the presenter was gushing and witless

17 October 2020 9:00 am

Mothballed since March when it danced a farewell Swan Lake, the Royal Ballet made a triumphant and joyous return to…

Sensual and silky: the Royal Ballet returns to Covent Garden

27 June 2020 9:00 am

Wayne McGregor’s Morgen! and Frederick Ashton’s Dance of the Blessed Spirits are the first pieces of live dance — streamed…

Rambert's latest uses the migrant crisis for superficial intrigue: Aisha and Abhaya reviewed

7 February 2020 10:00 pm

The January dance stage can be a site of naked contrition. Like a tippler grasping at green juice after a…

From cartoons to stage design: the genius of Osbert Lancaster

30 November 2019 9:00 am

‘Bigger,’ said Sir Osbert Lancaster when asked the difference between his work for the page and for the stage. ‘Definitely…

Unsettlingly faithful to the spirit of Schiele: Staging Schiele reviewed

16 November 2019 9:00 am

‘Come up and see my Schieles.’ Those were the words that ended a friend’s fledgling relationship with an art collector.…

A last dose of vitamin D before the clocks go back: Royal Ballet’s triple bill reviewed

2 November 2019 9:00 am

Were those gerberas in Francesca Hayward’s bouquet on opening night? Gentlemen admirers take note: no woman, ballerina or otherwise, has…

Manon can be magnificent, this one was merely meh

19 October 2019 9:00 am

Manon: minx or martyr? There are two ways to play Kenneth MacMillan’s courtesan. Is Manon an ingénue, a guileless country…

Natalia Osipova, cursed with a frightful Ascot fascinator, a Halloween shock-wig of black pipe cleaners, in Medusa as the Royal Opera House Credit: ©ROH, 2019 Photograph by Tristram Kenton

Sidi Larbi Cherkaoui’s #MeToo Medusa is a bad hair day from Hades

18 May 2019 9:00 am

Medusa is the bad hair day from Hades. Sidi Larbi Cherkaoui’s retelling of the Greek myth is frizzy, tangled and…

Still far from perfect but chaps will like it: Royal Ballet’s Frankenstein reviewed

16 March 2019 9:00 am

Choreographer Richard Alston is now 70 and his latest outing at Sadler’s Wells is a greatest hits medley. As with…

Forget the Don – come for the Mataphwoar Ryoichi Hirano: Royal Ballet’s Don Quixote reviewed

23 February 2019 9:00 am

The trouble with Don Quixote is Don Quixote. Whenever the doddering, delusional Don is onstage, tilting at windmills, riding his…

January as you would wish it: Royal Ballet’s Les Patineurs reviewed

5 January 2019 9:00 am

The Royal Ballet’s Les Patineurs is January as you would wish it. No slush, no new-year sales, no streaming chest…

Matthew Ball as Ted Feltham in the Royal Ballet's The Unknown Soldier. Photo: ROH, Helen Maybanks

Has the Royal Ballet found its hero?

1 December 2018 9:00 am

The Royal Ballet is a company in search of a prince. It has no lack of dancing princesses. You could…

Vadim Muntagirov as Solor and Marianela Nunnez as Nikiya in Royal Ballet's Bayadère. Photo: ROH / Bill Cooper

How could anyone object to the Royal Ballet engaging in cultural appropriation?

24 November 2018 9:00 am

La Bayadère opens with a sacred flame and ends with an earthquake. In between, Marius Petipa’s ballet of 1877 gives…

Natalia Osipova as Mary Vetsera and Ryoichi Hirano as Rudolf in Mayerling

Why Mayerling is a #MeToo minefield

13 October 2018 9:00 am

Kenneth MacMillan’s Mayerling is a #MeToo minefield. Crown Prince Rudolf of Austria-Hungary is a serial seducer, a man of many…

Artists of the Royal Ballet against the easel-worthy backcloths of John Macfarlane’s ravishing designs for Swan Lake

Proper tutus, gorgeous designs, first-rate dancing: Royal Ballet’s new Swan Lake reviewed

26 May 2018 9:00 am

The Royal Ballet’s 2016 Frankenstein was a masterclass in how not to make narrative dance and the news that Liam…

How do these Shaolin monks square six shows a week with monking?

How do these Shaolin monks square six shows a week with monking?

14 April 2018 9:00 am

The Shaolin monks are no strangers to the stage. Their home in Dengfeng is a major stop on the Chinese…

The men give the women little to work with: Giselle reviewed

24 February 2018 9:00 am

A bumper fortnight for Covent Garden florists thanks to a 20th-anniversary flower shower for the Royal Ballet’s Marianela Nunez and…

The nymphs are hit and miss, but Osipova is a witty, multifaceted Sylvia: the Royal Ballet’s Sylvia reviewed

16 December 2017 9:00 am

You can pay homage to a ballet classic or you can tear it up and reinvent it. Both approaches were…

Reducing the lead to an demented rape victim is just what ballet needs: The Wind reviewed

18 November 2017 9:00 am

A kindly cowboy, an East Coast bride, adultery, murder and madness. The Wind, Dorothy Scarborough’s 1925 Texas gothic novel (and…

Wayne’s world

28 October 2017 9:00 am

Ballet would have been an obvious revenue stream for Sadler’s Wells when it reopened back in 1998 but straight-up classics…

Dancers of the Royal Ballet in Christopher Wheeldon’s Alice’s Adventures in Wonderland

Pretty vacant

7 October 2017 9:00 am

Alice is at it again. Christopher Wheeldon’s 2011 three-act ballet began another sell-out run at Covent Garden last week. It’s…

Victoria Sibson as Bertha Mason and Javier Torres as Edward Rochester in Cathy Marston’s ‘Jane Eyre’

Northern Ballet has triumphed with Brontë: Jane Eyre reviewed

4 June 2016 9:00 am

The difference between a poor ballet of the book (see the Royal Ballet’s Frankenstein) and a good one — indeed…