Rubens
How flabby our ideas of draughtsmanship have become
The term drawing is a broad umbrella, so in an exhibition of 120 works it helps to outline some distinctions.…
Proof that Rubens really was a champion of the female sex: Rubens & Women, at the Dulwich Picture Gallery reviewed
‘She is a princess endowed with all the virtues of sex; long experience has taught her how to govern these…
The supreme pictures of the Courtauld finally have a home of equal magnificence
When the Courtauld Gallery’s impressionist pictures were shown at the Fondation Louis Vuitton in Paris in 2019, the Parisian public…
An immensely rich show – though it consists of only two paintings: Rubens at the Wallace Collection reviewed
‘When pictures painted as companions are separated,’ John Constable wisely observed, ‘the purchaser of one, without being aware of it,…
The joy of socially distanced gallery-going
Not long after the pubs, big galleries have all started to reopen, like flowers unfolding, one by one. The timing…
A sumptuous feast of an exhibition: Charles I at the Royal Academy reviewed
Peter Paul Rubens thought highly of Charles I’s art collection. ‘When it comes to fine pictures by the hands of…
Antwerp: the compact, charming capital of a country that doesn’t quite exist yet
Napoleon didn’t think much of Antwerp. ‘Scarcely a European city at all,’ he scoffed. If only he could see it…
Rubens and His Legacy at the Royal Academy reviewed: his imitators fall short of their master miserably
The main spring offering at the Royal Academy, Rubens and His Legacy: Van Dyck to Cézanne, teaches two useful lessons.…
How will the British public take to Rubens’s fatties?
Are Rubens’s figures too fat for the British to appreciate them? Martin Gayford investigates
Curator-driven ambitions mar this Constable show at the V&A
The V&A has an unparalleled collection of hundreds of works by John Constable (1776–1837), but hardly anyone seems to know…