Scottish Opera
A lively and imaginative interpretation of an indestructible Britten opera
Scottish Opera’s new production of Albert Herring updates the action to 1990, and hey – remember 1990? No, not particularly,…
Bristol’s new concert hall is extremely fine
Bristol has a new concert hall, and it’s rather good. The transformation of the old Colston Hall into the Bristol…
An electrifying, immersive thrill: Scottish Opera's Candide reviewed
The first part of the adventure was getting there. Out of the subway, past the tower blocks and under the…
Impressive interpretations marred by cuts: Scottish Ballet's The Scandal at Mayerling reviewed
Sneer all you like at its prolixities and vulgarities but Kenneth MacMillan’s Mayerling remains a ballet that packs an exceptionally…
A spirited attempt to fix a show that’s never really flown: Utopia, Limited reviewed
Utopia, Limited (1893) is a rare bird, and one that every Gilbert and Sullivan completist simply has to bag. The…
Spot-on in almost every way: Scottish Opera's A Midsummer Night’s Dream reviewed
Scottish Opera’s new production of Britten’s A Midsummer Night’s Dream seems to open in midwinter. Snow falls, fairies hurl snowballs…
Very much NSFW: Jean-Efflam Bavouzet/Quatuor Danel at Wigmore Hall reviewed
‘Drammatico’, wrote César Franck over the opening of his Piano Quintet, and you’d better believe he meant it. The score…
The finest Falstaff you’ll see this summer
Comedy’s a funny thing. No, seriously, the business of making people laugh is as fragile, as mercurial as cryptocurrency —…
Raw, frightening, overwhelming: Birmingham Opera’s Lady Macbeth of Mtsensk reviewed
You can see Graham Vick’s work at La Scala or the New York Met. But if you want to be…
Opera North’s Tosca will leave you quivering
At the end of Act Two of Tosca there are some 30 bars of orchestral music — accompaniment to a…
This Hansel and Gretel has ‘classic’ stamped all over it
It’s been a good couple of weeks for cuddly toys in opera. A big floppy Eeyore is the only comfort…
Classy and classic
The Edinburgh International Festival began with a double helping of incest. Curiously, Greek — Mark-Anthony Turnage’s East End retelling of…
Scottish Opera could have a hit on its hands with this new Mikado
You have to be quite silly to take Gilbert and Sullivan seriously. But even sillier not to. G&S is still…
Why we should say farewell to the ENO
It’s easy to forget what a mess of an art form opera once was. For its first 100 years it…
Weaving the colours of music
One loom, six metres in length, currently dominates the great, light-filled weaving hall of Edinburgh’s renowned tapestry workshop, Dovecot Studios.…
