Sculpture

Antony Gormley’s art works better in theory than in practice

30 June 2018 9:00 am

Antony Gormley has replicated again. Every year or so a new army of his other selves — cast, or these…

Volcano of invention: Alexander Calder at Hauser & Wirth Somerset

Alexander Calder was a volcano of invention

23 June 2018 9:00 am

In the Moderna Museet in Stockholm there is a sculpture by Katharina Fritsch, which references Chekhov’s famous story ‘Lady with…

‘Prostitute and Disabled War Veteran. Two Victims of Capitalism’, 1923, by Otto Dix

Sorrow and pity are no guarantee of artistic success: Aftermath at Tate Britain reviewed

23 June 2018 9:00 am

Some disasters could not occur in this age of instant communication. The first world war is a case in point:…

What a relief: ‘Descent of the Ganges’ or ‘Arjuna’s Penance’, 7th century

India’s Sistine ceiling

19 May 2018 9:00 am

In Tamil Nadu we found that we were exotic. Although there were some other western tourists around, in most of…

French Phidias: Auguste Rodin in his workshop in Meudon, c.1910

How Rodin made a Parthenon above Paris

28 April 2018 9:00 am

‘My Acropolis,’ Auguste Rodin called his house at Meudon. Here, the sculptor made a Parthenon above Paris. Surrounded by statues…

Who could underestimate the experience of witnessing ‘Inside Australia’ at dawn or dusk?

The subtle magic of Antony Gormley wraps the world

27 January 2018 9:00 am

Martin Caiger-Smith’s huge monograph on Antony Gormley slides out of its slipcase appropriately enough like a block of cast iron.…

‘Apollo and Daphne’, early 1620s, by Bernini

Turning marble into cushions and stone into flesh: the magic of Gian Lorenzo Bernini

13 January 2018 9:00 am

Seventeenth-century Roman art at its fullblown, operatic peak often proves too rich for puritanical northern tastes. And no artist was…

‘Chalices’ — a lesser known enamel work by Geoffrey Clarke, 1950

Geoffrey Clarke’s imaginative talents knew no bounds

2 December 2017 9:00 am

At the height of his fame in the mid-1960s, the sculptor Geoffrey Clarke (1924–2014) was buying fast cars and flying…

‘Portrait of a Lady (La Schiavona)’, c.1510-12, by Titian

The advantages of turning down the colour knob: Monochrome reviewed

4 November 2017 9:00 am

Leonardo da Vinci thought sculpting a messy business. The sculptor, he pointed out, has to bang away with a hammer,…

I spy

30 September 2017 9:00 am

Where was Degas standing as he sketched his ‘Laundresses’ (c.1882–4)? Did he watch the two women from behind sheets hanging…

‘Untitled (Clear Torso)’, 1993, by Rachel Whiteread

Space odyssey

16 September 2017 9:00 am

Rachel Whiteread is an indefatigable explorer of internal space. By turning humble items such as hot-water bottles and sinks inside…

Face time

16 September 2017 9:00 am

The inimitably pukka voice of Jacob Rees-Mogg echoed through Radio 4 on Thursday morning. He was not, though, talking about…

‘Spray’, by Harold Williamson (1939)

Nothing is quite what it seems

19 August 2017 9:00 am

One day, somebody will stage an exhibition of artists taught at the Slade by the formidable Henry Tonks, who considered…

‘Statue (Double Check by Seward Johnson), New York, 11 September 2001’, 2001, by Jeff Mermelstein

Repo women

6 July 2017 1:00 pm

Aren’t you getting a little sick of the white cube? I am. I realised how sick last week after blundering…

Buried treasure: an archaeologist diver brushes clear a bovid jaw discovered in Aboukir Bay

The treasures of Alexandria revealed: British Museum’s Sunken cities reviewed

4 June 2016 9:00 am

It was not so unusual for someone to turn into a god in Egypt. It happened to the Emperor Hadrian’s…

True or false? The Temple of Bel, Palmyra, before and after its destruction at the hands of Islamic State

Why confront the ugly lie of Islamic State with a tacky fake?

28 May 2016 9:00 am

Can the beauty of Palmyra be reproduced by data-driven robots? Stephen Bayley on copies, fakes and forgeries

Marisol with some of her sculptures, New York, 1958

What happened to the First Lady of Pop Art?

21 May 2016 9:00 am

In 1961 the Venezuelan-American sculptor Marisol Escobar made a startling appearance at the New York artists’ group known as the…

Satirical diptych, 1520–1530, anonymous Flemish artist

This Parisian exhibition has rewritten the story of art

14 May 2016 9:00 am

Why do we put one work of art beside another? For the most part museums and galleries tend to stick…

Is this female Swedish painter a major rediscovery - or a minor footnote?

12 March 2016 9:00 am

In 1896, a group of five young Swedish women artists began to meet regularly in order to access mystical zones…

A fusion of ‘Fungus the Bogeyman’ and Dungeons and Dragons, Dashi Namdakov’s ‘She Guardian’ is a grotesque, inappropriate and embarrassing intrusion into London

What's that thing? Britain's worst public art

6 February 2016 9:00 am

Bad public art pollutes our townscapes. Stephen Bayley names and shames the worst offenders as he unveils the winner of The Spectator’s inaugural What’s That Thing? Award

Monumental change: the overthrow of the statue of Napoleon I, which was on top of the Vendôme Column. The painter Gustave Courbet is ninth from the right

A short history of statue-toppling

9 January 2016 9:00 am

Sculptural topplings provide an index of changing times, says Martin Gayford

Britain is absent from the V&A’s new Europe galleries. Are they trying to tell us something?

9 January 2016 9:00 am

Before cheap flights, trains were the economical way to discover Europe and its foibles. Personally, I enjoyed the old fuss…

Power tool: Elisabeth Frink carving ‘Dorset Martyrs’, c.1985

The work of Elisabeth Frink is ripe for a renaissance

21 November 2015 9:00 am

In a converted barn in Dorset, not far from the rural studio where she made many of her greatest sculptures,…

Alexander Calder: the man who made abstract art fly

14 November 2015 9:00 am

One day, in October 1930, Alexander Calder visited the great abstract painter Piet Mondrian in his apartment in Paris. The…

Standing figure of the ancient Egyptian god Horus, wearing Roman military costume, 1st–2nd century AD and Seated figure of the ancient Egyptian god Horus, wearing Roman military costume, 1st–2nd century AD

Egypt: where gods are born and go to die

29 October 2015 9:00 am

Tom Holland on Egypt, where the deities were born and history itself began