Shakespeare
Somewhere in this production lies Shakespeare's tragedy: Almeida's Macbeth reviewed
Yaël Farber’s Macbeth sets out to be a great work of art. The director crams the Almeida’s stage with suggestive…
A triumph: Young Vic's Hamlet reviewed
Here goes. The Young Vic’s Hamlet, directed by Greg Hersov, is a triumph. This is a pared-back, plain-speaking version done…
Letters: In defence of Land Rovers
How to stay safe Sir: Mary Wakefield is correct to highlight the opprobrium heaped on anyone who suggests sensible safety…
A 21st-century Holden Caulfield: The Book of Form and Emptiness, by Ruth Ozecki, reviewed
The world Ruth Ozeki creates in The Book of Form & Emptiness resembles one of the snow globes that pop…
How Shakespeare became ‘problematic’
‘This crossword is problematic!’ exclaimed my husband, tossing aside the folded newspaper marked with a ring where his whisky glass…
The history of the Theatre Royal Drury Lane is the theatrical history of England
The newly renovated Theatre Royal Drury Lane has seen it all and staged it all, says Robert Gore-Langton
A shrill, ugly, tasteless muddle: Romeo & Juliet reviewed
What shall we destroy next? Romeo & Julietseems a promising target and the Globe has set out to vandalise Shakespeare’s…
A Shakespeare play at the Globe whose best features have nothing to do with Shakespeare
Back to the Globe after more than a year. The theatre has zealously maintained its pre–Covid staffing levels. On press…
The problem with decolonising Shakespeare
Scarcely a day passes without a major British institution announcing it is ‘decolonising’ itself. Most recently it was the turn…
Shakespeare didn’t need to know the difference between ‘its’ and ‘it’s’
An item on the BBC news site didn’t mean what it said: ‘The latest move is part of a wider…
Is it time to cancel Sophocles?
Gstaad The sun has returned, the snow is so-so, and exercise has replaced everything, including romance. What a way to…
As an essay in cheap comedy the show is a great success: Emilia reviewed
Emilia is a period piece about Emilia Bassano who may have been the ‘dark lady’ of Shakespeare’s sonnets. The writer,…
Edinburgh Festival is in ruins – but there's one gem amid the rubble
The virus has broken Edinburgh. The shattered remnants of the festival are visible on the internet. Here’s what happened. The…
RSC’s Merchant of Venice is full of puzzling ornaments and accents
The BBC announces Merchant of Venice as if it were a Hollywood blockbuster. ‘In the melting pot of Venice, trade…
Not even a genius could make Much Ado About Nothing funny
The RSC’s 2014 version of Much Ado is breathtaking to look at. Sets, lighting and costumes are exquisitely done, even…
As a lyricist, Ian Dury had few equals in the 20th century
The National Theatre’s programme of livestreamed shows continues with the Donmar’s 2014 production of Coriolanus starring Tom Hiddleston. The play…
So good and so raw that avoiding it might be the wisest course: Sea Wall reviewed
Sea Wall, by Simon Stephens, is a half-hour monologue about grief performed by Andrew Scott. The YouTube clip has been…
The best Macbeths to watch online
The world’s greatest playwright ought to be dynamite at the movies. But it’s notoriously hard to turn a profit from…
The National Theatre’s live-streaming policy is bizarre
The National’s bizarre livestreaming service continues. On 7 May, for one week only, it released a modern-dress version of Antony…
The best theatre of the 21st century
Not looking great, is it? Until we all get jabbed, theatres may have to stay closed. And even the optimists…
I've lost patience with podcasts and their presenters
‘To be recognised and accepted by a peregrine,’ wrote J.A. Baker in 1967, ‘you must wear the same clothes, travel…
His son’s death may have inspired some of Shakespeare’s greatest lines, but he never recovered from the loss
Maggie O’Farrell is much possessed by death. Her first novel, After You’d Gone (2000), chronicled the inner life of a…
Michael Morpurgo: Kale smoothies, writing, Pilates – my strict isolation schedule
Writers like me are used to long hours alone. I’ve never enjoyed that side of it. I don’t like the…
War and plague have menaced theatres before, but rarely on this scale
War and plague have menaced theatres before, but rarely on this scale, says Lloyd Evans
Comedy gold: The Upstart Crow at the Gielgud Theatre reviewed
A Moorish princess shipwrecked on the English coast disguises herself as a boy to protect her virtue. Arriving in London,…
