Tamara Rojo
A fitting swansong from Tamara Rojo: The Forsythe Evening reviewed
One wouldn’t want to be on the wrong side of Tamara Rojo. The most fearsome figure on the British dance…
Rojo’s choreographic updating is a visual feast: English National Ballet's Raymonda reviewed
Velvet waistcoats, technicolour tulle and some very spangly harem pants — English National Ballet’s atelier must have been mighty busy…
Why does the English National Ballet bother taking Manon to the provinces?
Like it or not, provincial ballet audiences love a story they can hum and any director planning to tour a…
ENB’s La Sylphide resembles a lock-in at a Royal Mile souvenir shop
Gurn loves Effy, Effy is engaged to James but James is away with the fairies: a recipe for love tragedy.…
Does Tamara Rojo really think female choreographers are being stifled by sexism?
Tamara Rojo programmed three female choreographers for her English National Ballet spring bill because, she said, she had never danced…
Fascinating, sexy, improbably compelling and scathingly funny: The Big Short reviewed
The Big Short is a drama about the American financial collapse of 2008. It talks you through sub-prime mortgages, tranches,…
War, socialist tyranny and the oppression of the handicapped - welcome to the new dance season
If there’s one thing scarcer than hen’s teeth in serious choreography nowadays, it’s a light heart. When was the last…
A rich, colourful romp
Bold decisions are at the core of great artistic directorship. And Tamara Rojo, the ballet star leading English National Ballet,…