Tate

Tate’s finances are on the skids and I think I know why

30 November 2024 9:00 am

Among the many destructive after-effects of the pandemic, the impact of two years of lockdowns has had serious consequences for…

Artist, actor, social justice warrior, serial killer: the many faces of Walter Sickert

14 May 2022 9:00 am

Artist, actor, social justice warrior, serial killer. Laura Gascoigne on the many faces of Walter Sickert

The Tate’s grubby cancellation of Rex Whistler

17 February 2022 11:16 pm

Tate Britain’s Rex Whistler restaurant will never reopen the gallery announced yesterday. The restaurant – once known for its excellent…

The rise and rise of the museum cafe

15 February 2020 9:00 am

The rise of the museum café

'Lion Hunt', 1861, by Eugène Delacroix

Galleries are getting bigger - but is there enough good art to put in them?

2 January 2016 9:00 am

Martin Gayford recommends the exhibitions to see — and to avoid — over the coming year

M.C. Escher: limited, repetitive, but he deserves a place in art history

7 November 2015 9:00 am

‘Surely,’ mused the Dutch artist M.C. Escher, ‘it is a bit absurd to draw a few lines and then claim:…

Boris Johnson on his plans for the Olympic Park: inspired or whimsical?

18 April 2015 9:00 am

Jack Wakefield on the Mayor’s ambitious, not to say whimsical, vision for the Olympic Park

The Heckler: Tate Britain is a mess. Its director Penelope Curtis must go

7 March 2015 9:00 am

Things have not been happy at Tate Britain for some time. Last year Waldemar Januszczak wrote an article culminating with…

‘Equivalents for the Megaliths’, 1935, by Paul Nash

A lost opportunity to show John Nash at his best

9 August 2014 9:00 am

John Northcote Nash (1893–1977) was the younger brother of Paul Nash (1889–1946), and has been long overshadowed by Paul, though…

The curator brain drain

5 April 2014 9:00 am

Britain may have educated the most talented curators, but, as Jack Wakefield says, we can’t always keep them

When a smartphone gallery is better than the real thing

20 July 2013 9:00 am

Michael Prodger finds that new technology is transforming how we experience art – in galleries, on computers and on smartphones too