Theatre Royal Stratford East
Sumptuous but musically unmemorable: Elton John’s The Devil Wears Prada musical reviewed
The Devil Wears Prada is a fairy tale about an aspiring female novelist, Andy, who receives a job offer from…
If you see this show you’ll want to see it again – directed properly: The Glass Menagerie, at the Duke of York's Theatre, reviewed
The Glass Menagerie directed by Jeremy Herrin is a bit of an eyeball-scrambler. The action takes place on a huge…
Stands alongside Under Milk Wood: Shedding a Skin, at Soho Theatre, reviewed
Shedding a Skin opens with an office nightmare. Amanda is a mixed-race employee in a predominantly white firm who gets…
Clive Rowe is astonishing: Hackney Empire's Jack and the Beanstalk reviewed
Jack and the Beanstalk is a big, sprawling family show that opens with a baffling gesture. A booming voiceover announces…
Theatre's final taboo: fun
The stage has become a pleasure-free zone in which snarling dramatists fight over their pet political causes, says Lloyd Evans
A terrific two-hander that belongs at the National: RSC's Kunene and the King reviewed
The Gift is three plays in one. It opens in a blindingly white Victorian parlour where a posh lady, Sarah,…
Full of fascinating data and excellent comedy: Messiah at Stratford Circus reviewed
I’ve joined the Black Panthers. At least I think I have. I took part in an induction ceremony at the…
Deft, elegant and genuinely chilling: Garsington’s Turn of the Screw reviewed
Think of the children in opera. Not knowing sopranos and mezzos, pigtailed and pinafored or tightly trousered-up to look child-like,…
If you thought politics was boring, you should check out today’s political theatre
How has political theatre fared during the coalition? Not very well, writes Lloyd Evans
