Theatre
As a lyricist, Ian Dury had few equals in the 20th century
The National Theatre’s programme of livestreamed shows continues with the Donmar’s 2014 production of Coriolanus starring Tom Hiddleston. The play…
This crisis could be the catalyst for a golden age of British theatre
The coronavirus crisis offers theatre a golden opportunity to break free of the structures that have held it back for years, says William Cook
Privatisation is the best option for the South Bank Centre
I must have written about this subject 100 times in 30 years and I’m still having to restate the bloody…
So good and so raw that avoiding it might be the wisest course: Sea Wall reviewed
Sea Wall, by Simon Stephens, is a half-hour monologue about grief performed by Andrew Scott. The YouTube clip has been…
Our theatres are dark – and in danger
Car showrooms are open again: some dealerships, with a hint of forgivable hyperbole, report a surge of pent-up demand. And…
Like a project the BBC might have considered 30 years ago and turned down: The Understudy reviewed
Hats off to the Lawrence Batley Theatre for producing a brand-new full-length show on-line. Stephen Fry, with avuncular fruitiness, narrates…
The best Macbeths to watch online
The world’s greatest playwright ought to be dynamite at the movies. But it’s notoriously hard to turn a profit from…
Swanky, stale and sullen, the summer music festival has had its day
The summer music festival has had its day, says Norman Lebrecht
The National Theatre’s live-streaming policy is bizarre
The National’s bizarre livestreaming service continues. On 7 May, for one week only, it released a modern-dress version of Antony…
How Tom Stoppard foretold what we’re living through
A TV play by Tom Stoppard, A Separate Peace, was broadcast live on Zoom last Saturday. I watched as my…
Worth watching for the comments thread alone: NT's Twelfth Night livestream reviewed
‘Enjoy world-class theatre online for free,’ announces the National Theatre. Every Thursday at 7 p.m. a play from the archive…
The best theatre of the 21st century
Not looking great, is it? Until we all get jabbed, theatres may have to stay closed. And even the optimists…
From Middlemarch to Mickey Mouse: a short history of The Spectator’s books and arts pages
The Spectator arts and books pages have spent 10,000 issues identifying the dominant cultural phenomena of the day and being difficult about them, says Richard Bratby
Reflections on isolation: the first lockdown dramas reviewed
High Tide got there first. The East Anglian theatre company has produced a series of lockdown mini-dramas, Love in the…
Absorbing and meticulously researched play about Partition: Drawing the Line reviewed
Theatres have taken to the internet like never before. Recorded performances are being made available over the web, many for…
The life of Artemisia Gentileschi is made for Netflix, but it’s the art that really excites
The life of Artemisia Gentileschi is made for Netflix, says Laura Freeman, but it’s her art that really excites
War and plague have menaced theatres before, but rarely on this scale
War and plague have menaced theatres before, but rarely on this scale, says Lloyd Evans
A mesmerising piece of theatre: On Blueberry Hill reviewed
On Blueberry Hill sounds like a musical but it’s a sombre prison drama set in Ireland. Two bunkbeds. Above, an…
‘Irish writers don’t talk to each other unless they’re shouting abuse’: Sebastian Barry interviewed
Sebastian Barry talks to Robert Jackman about family folklore, the joy of writing playsand why he is not an ‘Irish’ novelist
Unimpressive: The Prince of Egypt reviewed
The Prince of Egypt is a musical adapted from a 1998 Dreamworks cartoon based on the Book of Exodus. So…
Comedy gold: The Upstart Crow at the Gielgud Theatre reviewed
A Moorish princess shipwrecked on the English coast disguises herself as a boy to protect her virtue. Arriving in London,…
A dark emerald set in the Irish laureate’s fictional tiara: Actress, by Anne Enright, reviewed
Actress is the novel Anne Enright has been rehearsing since her first collection of stories, The Portable Virgin (1991). It…
A brilliant, unrevivable undertaking: Tom Stoppard’s Leopoldstadt reviewed
History will record Leopoldstadt as Tom Stoppard’s Schindler’s List. His brilliant tragic-comic play opens in the Jewish quarter of Vienna…
This is how theatre should work post-Brexit: Blood Wedding reviewed
Blood Wedding, by the Spanish dramatist Federico Garcia Lorca, is one of those heavyweight tragedies that risks looking a bit…
A terrific two-hander that belongs at the National: RSC's Kunene and the King reviewed
The Gift is three plays in one. It opens in a blindingly white Victorian parlour where a posh lady, Sarah,…
