Theatre
Keeping it in the family
A new orthodoxy governs the casting process in Hollywood. An actor’s ethnicity must match the character’s. If you extend this…
Moral maze
Una is a psychological drama about a woman who was abused by a man when she was 12, and who…
Animal or vegetable?
Against by Christopher Shinn sets out to unlock the secrets of America’s spiritual malaise. Two main settings represent the wealthy…
Moor and more
In 1824 an ambitious teenage actor fled to England from his native New York where he had been beaten up…
The many sides of satire
Brexit the Musical is a peppy satire written by Chris Bryant (not the MP, he’s a lawyer). Musically the show…
London calling
What is the Edinburgh Fringe? It’s a sabbatical, a pit stop, a pause-and-check-the-map opportunity for actors who don’t quite know…
Starting block
Conor McPherson’s new play is set in dust-bowl Minnesota in 1934. We’re in a fly-blown boarding house owned by skint,…
Show up and show off
The Edinburgh Festival was founded as a response to war. The inaugural event, held in 1947, was the brainchild of…
Heavy-handed
Oliver Cotton is an RSC stalwart who looks like a man born to greatness. Google him. He has the fearless…
Out of sorts at the RSC
The RSC’s summer blockbuster is about Queen Anne. It’s called Queen Anne. It opens at the Inns of Court where…
Derek Jacobi as Mercutio is half-genius, half-prank: Romeo and Juliet at the Garrick reviewed
Out come the stars in Kenneth Branagh’s Romeo and Juliet. He musters a well-drilled, celebrity-ridden crew but they can’t quite…
I came out feeling euphoric and disorientated: Young Vic’s Blue/Orange reviewed
Blue/Orange by Joe Penhall enjoys the dubious status of a modern classic. A black mental-health patient, Christopher, is about to…
The Royal Court is the Eddie the Eagle of theatre
If there were an Eddie the Eagle award for theatre — to recognise large reputations built on minuscule achievements —…
Wasn’t Lawrence of Arabia more annoying than this new play suggests?
T.E. Lawrence is like the gap-year student from hell. He visits a country full of exotic barbarians and after a…
A literary lap dance: Doctor Faustus reviewed
Great excitement for play-goers as a rare version of a theological masterpiece arrives in the West End. Doctor Faustus stars…
Down and Out in Paris and London is a chav safari
Down and Out in Paris and London is a brilliant specimen from a disreputable branch of writing: the chav safari,…
This year's must-see Shakespeare? Four hours of history in Dutch
James Woodall talks to the Belgian director Ivo van Hove, who has brought a swathe of Shakespeare’s history plays to the stage in Dutch (four hours of it)
Was there a cover-up over Shakespeare’s death?
How did Shakespeare kick the bucket? Lloyd Evans considers the evidence
The Heckler: the Shakespeare anniversary has stripped the Bard of his beauty
The feeding frenzy over the 400th anniversary of William Shakespeare’s death has reached its peak. Recently we’ve had Shakespeare’s complete…
Les Blancs at the Olivier is good-ish, but it won't be a classic
Les Blancs had a troubled birth. In 1965 several unfinished drafts of the play were entrusted by its dying author,…
I didn’t enjoy it but I couldn’t help loving it: Sunset Boulevard reviewed
Sunset Boulevard is a tale of fractured glory with Homeric dimensions. The movie presents Hollywood as a never-ending Trojan War…
Catherine Tate’s talents are wasted on this meandering musical about nuclear fallout
Miss Atomic Bomb celebrates the sub-culture that grew up around nuclear tests in 1950s America. The citizens of Nevada would…
Jean Genet’s fascinating play, The Maids, is botched at Trafalgar Studios
The Maids is a fascinating document. Written in 1947, Jean Genet’s drama portrays a pair of serving girls who enact…