Theatre
The Heckler: Shakespeare's duds should be struck from the canon
I love Shakespeare. But when he pulls on his wellies and hikes into the forest I yearn for the exit.…
American Buffalo at Wyndham’s reviewed: ‘magnificent, multicoloured, vast and tragic’
David Mamet is Pinter without the Pinteresque indulgences, the absurdities and obscurities, the pauses, the Number 38 bus routes. American…
If you thought politics was boring, you should check out today’s political theatre
How has political theatre fared during the coalition? Not very well, writes Lloyd Evans
Why Caryl Churchill is massively overrated - and how the National Theatre befriends terror
Enter Rufus Norris. The new National Theatre boss is perfectly on-message with this debut effort by Caryl Churchill. Her 1976…
Measure for Measure at the Barbican reviewed: a charity show for homesick non-doms
The smash hit Matilda, based on a Roald Dahl story, has spawned a copycat effort, The Twits. Charm, sweetness and…
Even those who reviled Thatcher will be moved, appalled and astonished: Dead Sheep at the Park reviewed
Dead Sheep is a curious dramatic half-breed that examines Geoffrey Howe’s troubled relationship with Margaret Thatcher. Structurally it’s a Mexican…
Nicholas Hytner’s sod-you farewell: Rules for Living at the Dorfman reviewed
Experts are concerned that Alan Ayckbourn’s plays may soon face extinction. Fewer than 80 of these precious beasts still exist…
Bad Jews at the Arts Theatre reviewed: strange, raw, obsessive and brilliant
Bad Jews has completed its long trek from a smallish out-of-town venue to a full-scale West End berth. Billed as…
Shrapnel at the Arcola works for the slayers, not the slain
Quite a hit factory these days, the Hampstead Theatre. The latest candidate for West End glory is Hugh Whitemore’s bio-drama…
Radiant Vermin at the Soho Theatre reviewed: a barmy little sketch posing as a revolutionary satire
Philip Ridley is best known as the screenwriter of The Krays, in which Gary and Martin Kemp played Ronnie and…
James McAvoy is wrong – the arts are better off without subsidy
The season of cringe-making acceptance speeches at arts awards ceremonies is nearly over, thank heavens. But it hasn’t passed without…
Hock and partridge help fascism go down in 1930s London
Anthony Quinn’s fourth novel, set in London’s artistic and theatrical circles in 1936, is not the kind in which an…
The Armour at Langham Hotel reviewed: three new playlets that never get going
One of last year’s unexpected treasures was a novelty show by Defibrillator that took three neglected Tennessee Williams plays, all…
Why George Bernard Shaw was an overrated babbler
When I was a kid, I was taught by a kindly old Jesuit whose youth had been beguiled by George…
Muswell Hill reviewed: a guide on how to sock it to London trendies
Torben Betts is much admired by his near-namesake Quentin Letts for socking it to London trendies. Letts is one of…
How to Hold Your Breath, Royal Court, review: yet more state-funded misanthropy
‘We hate the system and we want the system to pay us to say we hate the system.’ The oratorio…
What Samsung’s new TVs owe to Jeremy Bentham
Watching brief Samsung warned users of its voice-activated televisions that what they said in front of the TV could be…
A tatty new theatre offers up a comic gem that’s sure to be snapped up by the BBC
New venue. New enticement. In the undercroft of a vast but disregarded Bloomsbury church nestles the Museum of Comedy. The…
Tom Stoppard’s The Hard Problem review: too clever by half
Big event. A new play from Sir Tom. And he tackles one of philosophy’s oldest and crunchiest issues, which varsity…
Young Vic’s Bull, review: a new Mike Bartlett play to bore you into catalepsy
A knockout show at the Young Vic. Literally. The stage has been reconfigured as a boxing ring to make Mike…
National Theatre’s 3 Winters: a hideous Balkans ballyhoo
A masterpiece at the National. A masterpiece of persuasion and bewitchment. Croatian word-athlete Tena Stivicic has miraculously convinced director Howard…
Penelope Lively’s notebook: Coal holes and pub opera
I have been having my vault done over. Not, as you might think, the family strong room, but the place…
The recruitment company to go to if you've got no arms or legs
When to launch? For impresarios, this is the eternal dilemma. Autumn is so crowded with press nights that producers are…
Yanks buy stacks of tickets in the West End. Why is Made in Dagenham so rude to them?
Go slow at Dagenham. The musical based on the film about a pay dispute in the 1960s starts as a…
To call this offering a book is an abuse of language
I picked up this book with real enthusiasm. Who cannot be entranced by those 20 years after the second world…
