Theatre
Comedy of the blackest kind: Boy Parts, at Soho Theatre, reviewed
There’s something mesmerising about watching a good mimic. And Aimée Kelly, who plays fetish photographer Irina Sturges in Soho Theatre’s…
If only Caryl Churchill’s plays were as thrillingly macabre as her debut
The first play by the pioneering feminist Caryl Churchill has been revived at the Jermyn Street Theatre. Owners, originally staged…
Scherzinger is superb but why’s the set so dark and ugly? Sunset Boulevard, at the Savoy Theatre, reviewed
Sunset Boulevard is a re-telling of the Oedipus story set in the cut-throat world of Hollywood. Pick a side in…
As gripping as an Agatha Christie thriller: Shooting Hedda Gabler, at the Rose Theatre, reviewed
The unlovely Rose Theatre in Kingston is a modest three-storey eyesore. The concrete foyer looks like an exercise area on…
Cheesy skit: A Mirror, at the Almeida Theatre, reviewed
The playwright Sam Holcroft likes to toy with dramatic conventions and to tease her audiences by withholding key information about…
Watch three irascible women screaming at each other: Anthropology, at Hampstead Theatre, reviewed
Anthropology is a drama about artificial intelligence that starts as an ultra-gloomy soap opera. A suicidal lesbian, Merril, speaks on…
Lacks any air of mystery, foreboding or darkness: Macbeth, at the Globe, reviewed
Macbeth at the Globe wants to put us at our ease and make us feel comfortable with the play’s arcane…
Like an episode of Play School: Dr Semmelweis, at the Harold Pinter Theatre, reviewed
Bleach and germs are the central themes of Dr Semmelweis, written by Mark Rylance and Stephen Brown. The opening scene,…
Two very long hours: The Effect, at the Lyttelton Theatre, reviewed
Lucy Prebble belongs to the posse of scribblers responsible for the HBO hit, Succession. Perhaps in honour of this distinction,…
London theatre needs Kevin Spacey
Lee Anderson, deputy chairman of the Conservative party, popped a few monocles by saying asylum seekers reluctant to stay on…
Trump, Diogenes, the Mitfords and Malaysian comedy: Edinburgh Fringe round-up
The Mitfords is a superb one-woman show by Emma Wilkinson Wright who focuses her attention on Unity, Diana and Jessica.…
A tragicomic lecture about Gold at Edinburgh Festival
A chilly August in Edinburgh. Colder than it’s been for 20 years and the city looks scruffier than ever. Locked…
Finally an entertaining play at the Royal Court: Cuckoo reviewed
The boss of the Royal Court, Vicky Featherstone, will soon step down and she’s using her final spell in charge…
Forgettable stuff: The Crown Jewels, at the Garrick, reviewed
In the 1990s, the BBC had a popular flat-share comedy, Men Behaving Badly, about a pair of giggling bachelors who…
Why the Chester Mystery Plays are more popular than ever
The Chester Mystery Plays date back to the 13th century – but are more popular now than ever, finds Richard Bratby
Hamlet fans will love this: Re-Member Me, at Hampstead Theatre, reviewed
A puzzle at Hampstead Theatre. Literally, a brain teaser. Its new production, Re-member Me, is a one-man show written and…
Much better than the film: Mrs Doubtfire, at Shaftesbury Theatre, reviewed
Mrs Doubtfire is a social comedy about divorce. We meet Miranda, a talentless, bitter mother, who tires of her caring…
Sad, blinkered and incoherent: Arcola’s The Misandrist reviewed
A new play, The Misandrist, looks at modern dating habits. Rachel is a smart, self-confident woman whose partner is a…
Riveting and sumptuous: The Motive and the Cue, at the Lyttelton Theatre, reviewed
The Motive and the Cue breaches the inviolable sanctity of the rehearsal room. The play, set in New York in…
The secret truth about Dom: The Play
‘Who wrote it?’ asks the Times, of Dom: The Play. I’ll let you in on a secret: it was me.…
