Theatre
A show for politicians: John Gabriel Borkman, at the Bridge Theatre, reviewed
Clunk, clunk, clunk. John Gabriel Borkman opens with the obsessive footfalls of a disgraced banker as he prowls the attic…
Worthy of Wilde: Eureka Day, at the Old Vic, reviewed
Eureka Day is a topical satire set in a woke school in America. An outbreak of mumps has led to…
A masterpiece: P Word, at Park Theatre, reviewed
Look at this line. ‘I’m 80 years old. I find that unforgivable.’ Could an actor get a laugh on ‘unforgivable’?…
A tremendous show that will attract serious attention from the West End: Rehab – The Musical reviewed
Rehab: The Musical opens with a boyband star, Kid Pop, getting busted for possession of cocaine. The judge sentences him…
Rhapsodic banalities: I, Joan, at the Globe, reviewed
‘Trans people are sacred. We are divine.’ The first line of I, Joan at the Globe establishes the tone of…
Our prison culture is more barbaric than it was in 1823: Elizabeth Fry ‘The Angel of Prisons’ reviewed
The Angel of Prisons dramatises the life of the penal reformer Elizabeth Fry, who lived near Canning Town. She married…
The show works a treat: Globe's The Tempest reviewed
Southwark Playhouse has a reputation for small musicals with big ambitions. Tasting Notes is set in a wine bar run…
A four-way race between poet, actor, video artist and sound engineer: Edinburgh Festival's Burn reviewed
In a new hour-long monologue, Burn, Alan Cumming examines the life and work of Robert Burns. The biographical material is…
No, Boris Johnson isn’t ‘missing in action’
Someone in the Guardian wrote that Boris Johnson had his ‘out of office’ on, and the Chancellor was ‘missing in…
The Dane gets an interpretive dance makeover: Ian McKellan's Hamlet reviewed
Ian McKellen’s Hamlet is the highlight of Edinburgh’s opening week. In this experimental ballet, Sir Ian speaks roughly 5 per…
Why Merseyside is the natural home for a Shakespearean theatre
A neglected little town in Merseyside is the natural home for Shakespeare North, says Robert Gore-Langton
What do ‘catcalls’ have to do with cats?
‘A law against catcalls?’ asked my husband sceptically. ‘What next, criminalising booing and hissing?’ He often gets the wrong end…
Stupendously good: Much Ado About Nothing, at the Lyttelton Theatre, reviewed
Simon Godwin’s Much Ado About Nothing is set in a steamy Italian holiday resort, the Hotel Messina, in the 1920s.…
An entertaining display, clearly destined for Netflix: Patriots, at Almeida Theatre, reviewed
Patriots, by Peter Morgan, is a drama documentary about recent Russian history. And though it’s a topical show it’s not…
Hytner hits the bull's eye: The Southbury Child, at the Bridge Theatre, reviewed
The Southbury Child is a comedy drama set in east Devon featuring a distressed vicar, Fr David, with a complex…
Right play, wrong place: The Fellowship, at Hampstead Theatre, reviewed
Roy Williams’s new play is a wonky beast. It has two dense and cumbersome storylines that aren’t properly developed. Dawn…
If you see this show you’ll want to see it again – directed properly: The Glass Menagerie, at the Duke of York's Theatre, reviewed
The Glass Menagerie directed by Jeremy Herrin is a bit of an eyeball-scrambler. The action takes place on a huge…
An actor’s recipe for insanity
I’m on the road, a very proper place for an actor to be. Never mind all those jokes about some…
The ancient Greek art of theatre criticism
Last week Lloyd Evans was wondering whether it was about time audiences started booing dramatic productions of which they disapproved.…
Bloated waffle: Jitney at the Old Vic reviewed
The Old Vic’s new show, Jitney, has a mystifying YouTube advert which gives no information about the play or the…
Three cheers for booing in the theatre
Are modern theatre-goers too polite?
Joyously liberating: Tony! [The Tony Blair Rock Opera] reviewed
Harry Hill’s latest musical traces Tony Blair’s bizarre career from student pacifist to war-mongering plaything of the United States. With…
Newcomers will need to read the play in advance: Julius Caesar, at the Globe, reviewed
Some things are done well in the Globe’s new Julius Caesar. The assassination is a thrilling spectacle. Ketchup pouches concealed…
Hard to believe this rambling apprentice-piece ever made it to the stage: Almeida's The House of Shades reviewed
The House of Shades is a state-of-the nation play that covers the past six decades of grinding poverty in Nottingham.…
The playwright seems curiously detached about rape: The Breach, at Hampstead Theatre, reviewed
Hampstead’s latest play is a knotty rape drama by Naomi Wallace set in Kentucky. Four teenagers with weird names meet…
