Theatre
Why great speeches are made for stage and screen
Curious thing, writer’s block. If you believe it exists. Terry Pratchett didn’t. ‘There’s no such thing,’ he said. ‘It was…
How on earth did Harold Pinter and Danny Dyer become such good friends?
Collectors of TV titles that sound as if they were thought of by Alan Partridge will presumably have spotted Danny…
Brilliantly performed twaddle: Old Vic’s Faith Healer reviewed
The Old Vic refuses to reopen. Director Matthew Warchus says the social distancing rules make it impossible for him to…
Letters: In defence of seagulls
China’s covered Sir: If Charles Moore had contacted the BBC, rather than conducting a fruitless Google search, we would have…
Covid marshals are killing theatre: The Shrine & Bed Among the Lentils reviewed
Covid marshals have invaded theatreland. Arriving for a weekday matinee at the Bridge, I was greeted by stewards holding up…
An investor should snap up this weepy musical: Sleepless reviewed
It has roughly the same proportions as Shakespeare’s Globe. The Roman Theatre in Verulamium (St Albans) is an atmospheric ruin…
Defund theatres – and give the money to gardeners and bingo halls
Why does the state fund theatres and not gardening and bingo, asks Lloyd Evans
Now get off your sofa to help save the arts
Along, cold weekend brought a haul of business news more bad than good. The worst was from aero-engine maker Rolls-Royce,…
Edinburgh Festival is in ruins – but there's one gem amid the rubble
The virus has broken Edinburgh. The shattered remnants of the festival are visible on the internet. Here’s what happened. The…
Unique and disturbing: Donmar Warehouse's Blindness reviewed
Okay, I admit it. I have a girl crush on Juliet Stevenson. Ever since I first saw her in the…
The New Normal Festival shows how theatre could return
So the madness continues. Planes full of passengers are going everywhere. Theatres full of ghosts are going bust. My first…
From riveting Hitchockian melodrama to bigoted drivel: BBC’s Unprecedented reviewed
Back to the West End at last. After a four- month lay-off, I grabbed the first available chance to catch…
Theatres can now reopen – but they will resemble prison camps
Auditoriums can now reopen — but they will resemble prison camps, says Lloyd Evans
RSC’s Merchant of Venice is full of puzzling ornaments and accents
The BBC announces Merchant of Venice as if it were a Hollywood blockbuster. ‘In the melting pot of Venice, trade…
James Graham's small new drama is exquisite: BBC Four's Unprecedented reviewed
Let’s face it. Theatre via the internet is barely theatre. It takes a huge amount of creativity and inventiveness to…
Not even a genius could make Much Ado About Nothing funny
The RSC’s 2014 version of Much Ado is breathtaking to look at. Sets, lighting and costumes are exquisitely done, even…
The extinction of the arts has been deferred – for now
The government’s £1.57 billion lifeline for the cultural sector was bigger than most practitioners were expecting — and drew a…
What are online shoppers most likely to snap up?
Price of protest Greenpeace was fined £80,000 for defying a court order and occupying an oil rig in the North…
Culture is going underground: meet the rebel army
Leaf Arbuthnot and Igor Toronyi-Lalic on the new cultural rebels
Chaotic, if good-natured, muddle: Hytner’s Midsummer Night’s Dream reviewed
Nicholas Hytner’s A Midsummer Night’s Dream opens in a world of puritanical austerity. The cast wear sombre black costumes and…
Why haven’t podcasts cracked the recipe for audio drama?
In Beeb-dominated Britain, the commercial triumph of podcasting — epitomised by Spotify’s recent £100 million deals with Joe Rogan and…
The Madness of George III is much easier to like than King Lear
The longest interval in theatre history continues. Last week the National Theatre livestreamed a 2018 version of The Madness of…
As a lyricist, Ian Dury had few equals in the 20th century
The National Theatre’s programme of livestreamed shows continues with the Donmar’s 2014 production of Coriolanus starring Tom Hiddleston. The play…
This crisis could be the catalyst for a golden age of British theatre
The coronavirus crisis offers theatre a golden opportunity to break free of the structures that have held it back for years, says William Cook
Privatisation is the best option for the South Bank Centre
I must have written about this subject 100 times in 30 years and I’m still having to restate the bloody…
