Trafalgar studios
RSC’s Merchant of Venice is full of puzzling ornaments and accents
The BBC announces Merchant of Venice as if it were a Hollywood blockbuster. ‘In the melting pot of Venice, trade…
‘Irish writers don’t talk to each other unless they’re shouting abuse’: Sebastian Barry interviewed
Sebastian Barry talks to Robert Jackman about family folklore, the joy of writing playsand why he is not an ‘Irish’ novelist
Circus routine rather than theatre: Noises Off reviewed
Michael Frayn’s backstage comedy, Noises Off, is the theatre’s answer to Trooping the Colour. Everyone agrees that it’s an amazing…
The play’s dated badly – but the horse is exquisite: Equus at Trafalgar Studios reviewed
Equus is a psychological thriller from 1973 which opens with a revolting discovery. An unbalanced stable-lad, Alan, spends his evenings…
Blacktivist rhetoric and impenetrable symbols: Misty reviewed
Arinzé Kene’s play Misty is a collection of rap numbers and skits about a fare dodger, Lucas, from Hackney. Lucas…
Gripping piece of comic-horror nonsense: Killer Joe at Trafalgar Studios reviewed
Tracy Letts begins his trailer-trash comedy Killer Joe with the corniest of platitudes. A runaway druggie named Chris Smith needs…
The latest astonishing achievement from the creators of War Horse
The Twilight Zone, an American TV show from the early 1960s, reinvented the ghost story for the age of space…
Jean Genet’s fascinating play, The Maids, is botched at Trafalgar Studios
The Maids is a fascinating document. Written in 1947, Jean Genet’s drama portrays a pair of serving girls who enact…
Sarah Kane's Cleansed is a thin, vicious pantomime
Big fuss about Cleansed at the Dorfman. Talk of nauseous punters rushing for the gangways may have perversely delighted the…
Awards await this mostly terrific new Homecoming
Jamie Lloyd’s production of Pinter’s The Homecoming is a pile of terrific and silly ideas. Mostly terrific. The action takes…
The Globe's Oresteia lets Aeschylus speak - the Almeida's muzzles him
To examine an ancient text requires an understanding of the ancient imagination. The Oresteia is set in a primitive world…
There's a reason why the past four centuries have ignored Shakespeare's King John
King John arrives at the Globe bent double under the weight of garlands from the London critics. Their jaunt up…
Old Vic’s Tree: Beckett plus Seinfeld - plus swearing
‘Fucking hell. You twat. Fuck off. Fuck. Fuck.’ These dispiriting words are the opening line of Tree, a newish play…
If you have teenage boys who loathe the very idea of theatre, send them to The Play That Goes Wrong
It’s taken a while but here it is. The Play That Goes Wrong is like Noises Off, but simpler. Michael…