TV
Spooky, classy dystopian sci-fi: Apple TV+’s Silo reviewed
Back once more to our favourite unhappy place: the dystopian future. And yet again it seems that the authorities have…
‘Netflix are incredibly conservative’: documentary-maker Nick Broomfield interviewed
Adam Sweeting talks to the documentary-maker Nick Broomfield about the forgotten Rolling Stone
A Soviet version of Martin Parr: Adam Curtis’s Russia 1985-1999 –TraumaZone reviewed
Russia 1985-1999: TraumaZone – even the title makes you want to scream – is Adam Curtis’s Metal Machine Music: the…
Touchingly free of cynicism: C4's Somewhere Boy reviewed
At the start of Somewhere Boy, an 18-year-old boy is rescued from an isolated house by his aunt Sue following…
An enjoyable new Ageing Dad drama: Disney+'s The Old Man reviewed
We men all think we’ve still got it, even when we’re well past 50 and young women look straight through…
The makers of Fauda have another hit on their hands: Sky Atlantic's Munich Games reviewed
You’d have to pay me an awful lot more than I get for this column to review Monster: The Jeffrey…
The political cunning of Elizabeth II: BBC1's The Longest Reign – The Queen and Her People reviewed
In all the tributes to Her late Majesty’s constancy, dignity, wisdom and devotion to duty, not enough has been said…
Will you be able to get through the ponderous aphorisms without giggling? The Lord of the Rings: The Rings of Power reviewed
Amazon’s much-heralded Tolkien prequel The Lord of the Rings: The Rings of Power began by answering a question that has…
Shaping up nicely for some truly epic bloodletting: House of the Dragon reviewed
House of the Dragon got off to a pretty uninspirational start, I thought: no major characters brought to a shocking…
Are bankers really as bad as they're portrayed on screen?
Is the onscreen portrayal of investment bankers as monsters true to life? Martin Vander Weyer talks to the writers of Industry
The fiasco of Operation Yewtree: C4's The Accused – National Treasures on Trial reviewed
At 4.38 a.m., one morning in October 2013, the radio presenter Paul Gambaccini was understandably asleep when the doorbell rang.…
Identity politics is in retreat in Hollywood
‘Diversity is woven into the very soul of the story.’ If those words of praise from a rave review in…
Fascinating but flat: Amazon Prime's Thirteen Lives reviewed
About ten minutes in to Thirteen Lives, Boy came in and asked me whether it was any good. I said:…
The making of The Godfather was almost as dramatic as the film: Paramount+'s The Offer reviewed
It’s hard to imagine in the wake of GoodFellas, The Sopranos and Gomorrah but there was a time, not so…
Alienatingly sweet and warm: BBC2's The Newsreader reviewed
When TV makes shows about TV, it rarely has a good word to say for itself. In the likes of…
Who are these pathologically liberal rozzers? Channel 4's Night Coppers reviewed
Grizzled police officers of the old school should probably avoid Channel 4’s Night Coppers for reasons of blood pressure. Like…
A thrilling, pacy, well-acted drama: Amazon Prime's The Terminal List reviewed
‘The Terminal List is… a dated and drably made eight-part military thriller that offers little intrigue or excitement,’ says the…
A very classy thriller indeed: C4's The Undeclared War reviewed
The Undeclared War has many of the traditional signifiers of a classy thriller: the assiduous letter-by-letter captioning of every location;…
On the brink of delivering something special: Sky's The Midwich Cuckoos reviewed
A youngish couple leave London and drive off excitedly to make a fresh start in more rural surroundings. They demonstrate…
The return of the implausibly more-ish Borgen
Borgen star Sidse Babett Knudsen talks to Jasper Rees about why, after a break of ten years, the implausibly more-ish series is returning for a fourth season
The nightmare of making films about poets
Craig Raine on the challenges of translating poets’ lives and work to the screen
A gentle soap opera with nudity and book chat: Conversations with Friends reviewed
It’s official: television has a new genre. Its features include leisurely half-hour episodes, plenty of literary chat, several scenes set…
The best TV spy drama since Smiley’s People: Apple TV+'s Slow Horses reviewed
How thriller writers must miss the Cold War! Early John le Carré and Len Deighton had it easy when trying…
Lacks the bite and bracing malevolence of Call My Agent!: Amazon's Ten Percent reviewed
In theory, it should be a perfect match. John Morton – the man behind the brilliantly assured sitcom W1A which…
If you're tired of Netflix's agendas, turn to BritBox's new Agatha Christie
Netflix’s share price has collapsed and a major factor, people are saying, is its relentless pushing of agendas. I think…
