visual art

Finding his feet: ‘Untitled (man and two women in a pastoral setting)’, 1940

How Rothko become the mythic superman of mystical abstraction

1 November 2014 9:00 am

Mark Rothko was an abstract artist who didn’t see himself as an abstract artist — or at least not in…

James Delingpole falls in love with Grayson Perry - and almost comes round to Chris Huhne

1 November 2014 9:00 am

I love Grayson Perry. You might almost call him the anti-Russell Brand: a genuinely talented artist who also has some…

Russians made the theatre space the most liberating imaginative device ever invented

1 November 2014 9:00 am

You have to hand it to the Russians. They beat us into space, beat us to sexual equality, and a…

‘Winter Landscape (Winterlandschaft)’, 1970, by Anselm Kiefer

All my doubts about Anselm Kiefer are blown away by his Royal Academy show

11 October 2014 9:00 am

In the Royal Academy’s courtyard are two large glass cases or vitrines containing model submarines. In one the sea has…

‘Water-meadows near Salisbury’, 1829/30, by John Constable

Curator-driven ambitions mar this Constable show at the V&A

4 October 2014 9:00 am

The V&A has an unparalleled collection of hundreds of works by John Constable (1776–1837), but hardly anyone seems to know…

‘Interior (Innenraum)’, 1981, by Anselm Kiefer

'I like vanished things': Anselm Kiefer on art, alchemy and his childhood

20 September 2014 9:00 am

Martin Gayford talks to a surprisingly jolly Anselm Kiefer about art and metamorphosis

‘Moonrise and Pale Dancer’ by Derek Hyatt

The man who brought Cubism to New York

20 September 2014 9:00 am

The American Jewish artist Max Weber (1881–1961) was born in Belostok in Russia (now Bialystok in Poland), and although he…

Ellie Harrison’s cannons — poised to usher in a ‘Socialist Republic of Scotland’

How independence will impoverish Scottish culture

13 September 2014 9:00 am

Daniel Jackson foresees an impoverished cultural landscape for an independentScotland, with artists forced to do Salmond’s bidding