Wayne McGregor
Same old, same old: Wayne McGregor’s Untitled, 2023, at the Royal Opera House, reviewed
My witty friend whispered that Wayne McGregor’s new ballet Untitled, 2023 put her in mind of Google HQ – it’s…
Swaggerific display of pumping chests and crotch-grabbing struts: NYDC's Speak Volumes reviewed
Last week I attended a dance performance in person for the first time since March last year. If you’d asked…
Sensual and silky: the Royal Ballet returns to Covent Garden
Wayne McGregor’s Morgen! and Frederick Ashton’s Dance of the Blessed Spirits are the first pieces of live dance — streamed…
Rambert's latest uses the migrant crisis for superficial intrigue: Aisha and Abhaya reviewed
The January dance stage can be a site of naked contrition. Like a tippler grasping at green juice after a…
One nasty moment aside, the ENB’s Manon is superlative
If you like the BBC’s Les Misérables, you’ll love English National Ballet’s Manon. Manon, in Kenneth MacMillan’s telling, is The…
Has the Royal Ballet found its hero?
The Royal Ballet is a company in search of a prince. It has no lack of dancing princesses. You could…
Wayne’s world
Ballet would have been an obvious revenue stream for Sadler’s Wells when it reopened back in 1998 but straight-up classics…
Not vintage Mariinsky
Not really a vintage Mariinsky season — an odd choice of repertoire and some hit-and-miss male casting — but the…
Northern Ballet has triumphed with Brontë: Jane Eyre reviewed
The difference between a poor ballet of the book (see the Royal Ballet’s Frankenstein) and a good one — indeed…
Does Tamara Rojo really think female choreographers are being stifled by sexism?
Tamara Rojo programmed three female choreographers for her English National Ballet spring bill because, she said, she had never danced…
Millepied’s final spring programme for the Paris Opera Ballet is brazenly American
Paris Opera Ballet plays hard to get. It doesn’t deign to travel all the way over here, thanks to a…
Wheeldon’s new ballet lacks guts: Royal Ballet’s Strapless reviewed
How could it possibly go wrong? The magnetic, seething Russian star Natalia Osipova playing the tragic woman in John Singer…
We’re entering a new era for dance - expect big ballets with big stories
Dance has its own archaeological periods, and 2016’s schedules are confirming what 2015 indicated — that the era of dances…
Rapture - and loathing: Woolf Works at the Royal Ballet reviewed
People have been saying that Wayne McGregor’s new Woolf Works has reinvented the three-act ballet, but not so. William Forsythe…
Bach is made for dancing
It appears that J.S. Bach’s music is to theatre-dance what whipped cream is to chocolate. Masterworks such as Trisha Brown’s…
The Royal Ballet's triple bill was danced to perfection
There was a time when the term ‘world première’ was not as fashionable as it is these days. Great works…
