Whitechapel Gallery
Fails to dispel the biggest myth of all: Whitechapel Gallery's A Century of the Artist’s Studio reviewed
Picture the artist’s studio: if what comes to mind is the romantic image of a male painter at his easel…
Rich and strange: Eileen Agar at Whitechapel Gallery reviewed
Heads turn, strangers gawp, matrons tut or look in envy. A man doffs his bowler hat knowing when he is…
Figurative painting is back – but how good is any of it?
An oxymoron is a clever gambit in an exhibition title. The Whitechapel Gallery’s Radical Figures: Painting in the New Millennium…
Repo women
Aren’t you getting a little sick of the white cube? I am. I realised how sick last week after blundering…
Geometry in the 20th and 21st centuries was adventurous - and apocalyptic
Almost a decade ago, David Cameron informed Tony Blair, unkindly but accurately, ‘You were the future once.’ A visitor to…
Hannah Höch – from Dada firebrand to poet of collage
I suspect I am not alone in finding it surprising to encounter at the close of this exhibition an unexpected…
The big tease
Perhaps the greatest irony of many in this first solo London show of Sarah Lucas is that it is sponsored…
