Wigmore Hall
Why is Fauré not more celebrated?
It is 100 years since the death of Gabriel Fauré, a composer whose spellbinding romantic tunes emerge from harmonies and…
A lively and imaginative interpretation of an indestructible Britten opera
Scottish Opera’s new production of Albert Herring updates the action to 1990, and hey – remember 1990? No, not particularly,…
The miracle of watching a great string quartet perform
Joseph Haydn, it’s generally agreed, invented the string quartet. And having done so, he re-invented it: again and again. Take…
Igor Levit deserved his standing ovation; Shostakovich, even more so
Music and politics don’t mix, runs the platitude. Looks a bit tattered now, doesn’t it? For Soviet musicians, of course,…
Spot-on in almost every way: Scottish Opera's A Midsummer Night’s Dream reviewed
Scottish Opera’s new production of Britten’s A Midsummer Night’s Dream seems to open in midwinter. Snow falls, fairies hurl snowballs…
Very much NSFW: Jean-Efflam Bavouzet/Quatuor Danel at Wigmore Hall reviewed
‘Drammatico’, wrote César Franck over the opening of his Piano Quintet, and you’d better believe he meant it. The score…
Comedy genius: Garsington Opera's Le Comte Ory reviewed
Melons. An absolutely cracking pair of melons, right there on a platter: the centrepiece of the banquet that the chaste,…
The musical event of the year: Wigmore Hall BBC Radio 3 Special Broadcasts reviewed
Remember when 2020 was going to be Beethoven year? There were going to be cycles and festivals, recordings and reappraisals;…
The audience were in tears: Christian Gerhaher/Gerold Huber at the Wigmore Hall reviewed
‘Popular’ classical music is a relative term. Show me someone who thinks Beethoven is surefire box office, and I’ll show……
Warmth, energy and gripping momentum: Stephen Hough’s Wigmore Hall residency reviewed
In the summer of 1878 Johannes Brahms finally succeeded in growing a beard. It was his third attempt. ‘Prepare your…
A.N. Wilson: The V&A’s Tristram Hunt is a modern Prince Albert
We don’t have Thanksgiving in Britain, but this does not stop us giving thanks and Christmas is a good time…
In his new piano concerto Thomas Ades’s inspiration has completely dried up
There’s nothing like a good piano concerto and, sad to relate, Thomas Adès’s long-awaited first proper attempt at the genre…
A sonic masterclass: the Silesian String Quartet at Wigmore Hall reviewed
Of all the daft notions about the classical music business, the daftest is that it’s a business at all. Seriously:…
Testosterone and passion: Royal Opera’s Marriage of Figaro reviewed
Another turn around the block for David McVicar’s handsome 1830s Figaro at the Royal Opera — the sixth since the…
Igor Levit’s Goldbergs were transcendental
Igor Levit has rapidly achieved cult status, as he certainly deserves. He has already reached the stage where he can…
The forgotten masterpieces of Amy Beach
At the Wigmore Hall last Friday, the Takacs String Quartet and Garrick Ohlsson played a piano quintet that was once…
Cringingly vulgar, brainless and lacking heart: ENO’s Merry Widow reviewed
Garrick Ohlsson is one of the finest pianists of his generation. Why, then, was the Wigmore Hall not much more…
A Winterreise that included a mistake of genius
Broadly speaking, there are two kinds of approach to performing Schubert’s Winterreise, though sometimes there’s doubt or dispute about which…
Read The Spectator article that gave birth to musical minimalism 50 years ago
The Spectator is responsible for many coinages. One of the most significant came in 1968, when an article by our…
Partying like it’s 1899: two lieder recitals reviewed
If a symphony is, as Mahler famously put it, ‘like the world’, then songs and lieder are like seeing that…
Is this 65-year-old British pianist the next big thing in classical music?
Earlier this month the Wigmore Hall was sold out for a Schubert recital by a concert pianist whose only solo…
