William Wordsworth

The subversive message of Paradise Lost

30 November 2024 9:00 am

The great poem is mostly about revolution: how much individuals can revolt against God, father, church and king without bringing all the heavens down upon their heads

The healing power of Grasmere

23 March 2024 9:00 am

Following in Wordsworth’s footsteps, Esther Rutter finds new self-confidence and happiness in the entrancing surroundings of Dove Cottage

Ravenous rats

14 October 2023 9:00 am

Surprisingly for a novel riffing on Orwell’s dystopia, Julia is portrayed as a cheerful young woman uninterested in politics and believing in nothing at all

Letters: Our churches bring comfort – they must reopen

11 April 2020 9:00 am

Is ‘the Science’ scientific? Sir: I hope that those in the highest places will have read and will act upon…

Why do writers enjoy walking so much?

7 February 2020 10:00 pm

Writers like walking. When people ask us why, we say it’s what writers do. ‘Just popping out to buy a…

William Hogarth’s ‘Night’, in his series ‘Four Times of the Day’ (1736), provides a glimpse of the anarchy and squalor of London’s nocturnal streets

Dickens’s dark side: walking at night helped ease his conscience at killing off characters

21 March 2015 9:00 am

James McConnachie discovers that some of the greatest English writers — Chaucer, Blake, Dickens, Wordsworth, Dr Johnson — drew inspiration and even comfort from walking around London late at night

Benjamin Robert Haydon’s portrait of William Wordsworth

Sunday roasts and beaded bubbles: dining with the poets

3 January 2015 9:00 am

In December 1817 Benjamin Robert Haydon — vivid diarist and painter of huge but inferior canvases of historic events —…

‘There was great danger of being kidnapped by licensed thugs and turned into a not-so-jolly Jack Tar’ George Morland’s ‘The Press Gang’ (1790s)

Terror plots, threats to liberties, banks in crisis: welcome to Britain during the Napoleonic Wars

1 November 2014 9:00 am

At the end of the 18th century, Britain shuddered in Boney’s shadow, living in constant expectation of invasion and occupation, says Nigel Jones