Yannick Nézet-Séguin
Three new releases that show the classical recording industry is alive and well
Rachmaninov’s First Symphony begins with a snarl, and gets angrier. A menacing skirl from the woodwinds, a triple-fortissimo blast from…
The gentle side of Bruckner
The lady behind me on Kensington Gore clearly felt that she owed her friend an apology: ‘It’s Bruckner. I don’t…
